America Ferrera Quotes
It would be impossible to be a woman in Western culture and not have your own issues about your image and what you look like.

Quotes to Explore
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If you fall off a horse, you get back up. I am not a quitter.
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We no longer dare to believe in beauty and we make of it a mere appearance in order the more easily to dispose of it.
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Not to speak disparagingly of Justin Bieber or Rihanna, but they're not so hands-on with their image or their sound. They don't write the music. They have people doing things for them.
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In the future, I'd like to see paleontology as a whole get a lot more quantitative.
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I hardly ever stretch the canvas before painting.
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We are in favor of greater free markets.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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Anything that happens in your life was meant to happen. It is your destiny. I was destined to have the life I have now, and I can't have any regrets.
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Everyone asks me if I'm the princess or if my brothers beat me up. The younger ones I can deck pretty easily. With the older ones, it's harder.
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Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
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The mud is cold when you're in the north of Scotland!
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Most people want to become movie stars and I just want to be in the business. I already was a star. If I get the part of a lifetime and it blows up, then that's wonderful. But if the acting doesn't work, fine. I'll just be a producer. And if the producing doesn't work, fine. I've got a lot of other stuff.
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I think the phrase that resonates from 'Just One Year' is something I sort of live by: 'The truth and its opposite are flip sides of the same coin.'
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Men and women are immigrants in each other's worlds.
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I didn't have bands that I was playing with growing up, so I learned to try to adapt and play these songs that were guitar songs on the piano, and sing them.
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I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.
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I can't do with mountains at close quarters - they are always in the way, and they are so stupid, never moving and never doing anything but obtrude themselves.
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I do read all my work aloud as I'm working - this has made it a little hard to adjust to my husband's retirement. I can shout the shouty parts if I'm alone in the house, but of course, I feel a fool if someone is there to hear me.
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When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.
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The animal needing something knows how much it needs, the man does not.
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I was close with some of my old professors.
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One of the absolute rules I learned in the war was, don't know anything you don't need to know, because if you ever get caught they will get it out of you.
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When I'm into a woman, I literally can't stop staring. I'm like a little kid. I become completely entranced.
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It would be impossible to be a woman in Western culture and not have your own issues about your image and what you look like.