Amisha Patel Quotes
I would never deny the importance of the media, but I wouldn't go out of the way to splash my pictures all over town. I'd rather let my work do the talking.
Quotes to Explore
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I always watch the work I do.
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I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.
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When I hit my 20s, I took a chill pill and relaxed because throughout my teens I was churning out an album a year. It was a treadmill of work then recording, promoting and touring.
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I don't look at emails, Internet or newspapers before 1 P.M. I wake at 7 A.M., eat fruit, drink tea or coffee, and read what I've achieved, or not achieved, the previous day. Then I take a shower and work on my next sentence until 1 P.M. After I've done emails and so on, I write again from 3 P.M. until 8 P.M.; then I socialise.
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I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
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I don't believe in sharing my money. If I go out and work my nuts off and make some money, I don't feel that I should have to share it with my community.
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I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.
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If you are playing someone living, it is a different type of judgment. However much work you do, it is not a documentary. There will be things you can't get right, and ultimately, you have to take a leap because - you weren't there.
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As a grandson of farmers in downstate Illinois, I have long admired the dedication of farmers to their work and have written about the role of agriculture in American innovation.
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I avoid talking about the way I work. But in avoiding it I seem only to have encouraged people to focus their fantasies about me in an ever more fantastical way.
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Quality is everyone's responsibility.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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Teachers believe they have a gift for giving; it drives them with the same irrepressible drive that drives others to create a work of art or a market or a building.
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My work at R.E.I. was incredibly fulfilling and rewarding, especially the stewardship elements of it, the ability to connect young people to public lands close to home.
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Women can be two different people - one person at home, another at work.
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Once when I was working for the Daily News, I was summoned back to work from vacation because Donald Trump announced he was getting a divorce.
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I'm proud of my work and how far I've come, and I'm proud of the way that I did it.
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Cities and regions change. It doesn't happen overnight, but diversifying your economy is the only real route.
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I never meant to be an actress.
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I love dance; that's a big part of my life - like, ballet specifically.
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I don't think anyone can call a movie like 'I Know What You Did Last Summer' a horror movie. It's a jolt. It's a series of jolts followed by a quick one-liner that's wallpapered with an MTV rock & roll soundtrack. That's not horror to me.
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Afghanistan had collapsed and everyone's life now lies broken at different levels within the rubble.
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I would never deny the importance of the media, but I wouldn't go out of the way to splash my pictures all over town. I'd rather let my work do the talking.
