Amity Gaige Quotes
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For several years before I began 'The Folded World,' I worked at an urban college campus and had a job in a tutoring center, and people would come into the tutoring center, and for some reason, they just kept telling me their life stories.
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I wanted - and still want - to tell my mother's story. She fled Stalin's army in 1944, leaving Latvia, which was to be occupied by the Soviets for the next 50 years, and arrived to the U.S. when she was 11.
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I do think, in general, children are so perceptive, and they watch and they get so much, and that's wonderful. And it's also difficult for them because they see so much, but they don't understand.
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Nobody writes like Nabokov; nobody ever will. What I would give to write one sentence like Vladimir!
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I love writing letters. In order to write a novel in first person, I think I needed an addressee.
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Reading 'Blood Will Out,' one begins to understand how so many people were duped by Clark Rockefeller. All the imposter needs is some kind of initial agreement that he is who he says he is; thereafter, consensus builds via a network of human relationships.
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Parenthood is a psychic sweat lodge: enter into it only if you are ready to have your own secreted toxins running into your eyes. Few people are prepared for its power - women or men.
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Reading while I'm writing ideally inspires my competitive side. When I read great writers, I want to be a better writer.
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I often heard Latvians compare Russia and America. Latvians find both countries and their leaders possessed of the same mysterious confidence.
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Let's admit it; the only use for complaining is to make people laugh.
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I certainly want people to like my writing, but I know that if I write with the intention of trying to please people, the writing will not be good because it will not be authentic. So, ironically, I have to be willing to write something strange or unlovable in order to write anything truly good.
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Edan Lepucki sets her debut novel, 'California,' somewhere in the 2060s. The nearness of this era helps make her vision both more discomfiting and more credible.
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I think a writer is a describer. She describes society and human nature as she sees it. She has to be both typical of that society and alone within it.
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In the name of 'mutual assistance,' the Soviet Union would occupy Latvia until 1991, and it continues to occupy Latvia: in the obedient, epic lines at the post office, in the fug of coal smoke outside cities, in the notorious apartment buildings made of bricks of radioactive compressed ash.
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Several paranoid suspicions occurred to me, the worst of which was that my whole identity was merely a patched-together set of behaviors designed to keep my parents joined to each other - the repertoire of tricks of a small but intelligent dog.
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Other than a short article I read in 2008 when the real story broke, I have not followed the Clark Rockefeller case, and 'Schroder' is not a novelization of that story.
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I was born on an even keel. Family lore says I never cried, even at birth. I felt at ease on earth, in the right place. And like many children, I took comfort in life's regularity: Every few days it rained, the school bus came and went, and my parents were rooted in their union.
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'Who's Afraid of Virginia Woolf?' is, to my mind, a work of perfect genius.
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Oh, I'm a pretty bad poet. This has been corroborated by others.
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To me, self-esteem is not self-love. It is self-acknowledgment, as in recognizing and accepting who you are.
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There would be times when I got so much work that I didn't have time to write. School interfered with writing more than writing with school.
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As separate people, we are weak, but we could be a peaceful, powerful nation.
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When you feel the need to moan and groan, laugh with woeful recognition and eat flaky pastries. If you hear yourself taking the art of complaining a little too seriously, ask yourself what you're trying to accomplish, exactly.
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It's dangerous to accept crisis as your baseline. It gets harder and harder to see the anti-crises that are so requisite to happiness: the quiet times, the crucial pauses - like those in a poem.