Amity Gaige Quotes
It's dangerous to accept crisis as your baseline. It gets harder and harder to see the anti-crises that are so requisite to happiness: the quiet times, the crucial pauses - like those in a poem.
Quotes to Explore
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It's important not to think about Bitcoin as a replacement for cash or gold or something that works alongside that; it's to think of it as programmable money. And we just cannot even imagine what that will be used for.
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I'd like to scale back the television. I'm constantly told that I'm over-exposed, and I don't want to end up like Carol Vorderman.
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I'm a proud family man.
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I've spent my entire career on horseback or on a motorcycle. It boxes you in, the way people perceive you. I read a lot of scripts. Most of 'em go to other actors.
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I don't cry at books or movies. Ever. So imagine my shock and awe when I read 'The Time Traveler's Wife' for the second time, and I knew the ending, and I started to cry.
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Acting can be a narrow and isolated experience, because you only examine your particular part.
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Luckily, I work for a company that promotes on performance.
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I've always been a fan of Fran Drescher!
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There are staples to my show. I have to be conscious about switching things up because I know people who saw me last year will say, 'He did that last time.' But if certain things work, they work.
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I'm particularly interested in black swan events: unprecedented surprises that destroy the conventional wisdom about how the world works.
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If contemporary artists sincerely seek to be original, unique, and new, they should begin by disregarding the notions of originality, individuality, and innovation: they are the cliches of our time.
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Be as polite to the custodian as you are to the chairman of the board.
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Sometimes there is a greater lack of communication in facile talking than in silence.
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I want to play a psycho, something more challenging than just 'the girlfriend' part.
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We are all tasked to balance and optimize ourselves.
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All our forms are unique - movies, music and literature - and you have to leave the person who is doing it to do their best.
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I think that building any product that has a lot of user loyalty is a bit like making a sequel to a great movie or video game - people generally want 'more of the same thing, except better and different.'
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When I lived in Delhi, it was burdened with so many futures - fast roads, malls, flyovers - that one felt almost obliged to be hopeful. Now that hope has diminished, you can feel the city going into a frenzy to reinvent itself. I miss living there.
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I'm just trying to tell a nice story. Whether you're a writer or a producer, all you want to do is tell a good yarn.
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The British Fashion Awards are also very important because it's my hometown. But it's really a recognition of my team, and those awards give me an opportunity to thank them in a formal way. You and I have worked together enough to know that it really isn't about two people. It's a whole team. And so it's great to acknowledge that you never do anything alone.
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I've never had a problem with people paying attention to what you're doing and say they find that they liked it.
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It's hard because you can't legislate creative diversity. I think it's more that the gaming community's more diverse, and they're going to ask for more diverse experiences. They're going to demand them.
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Surround yourself with people that are going to support you on your journey, and get rid of the ones that don't.
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It's dangerous to accept crisis as your baseline. It gets harder and harder to see the anti-crises that are so requisite to happiness: the quiet times, the crucial pauses - like those in a poem.
