Amos Lee Quotes
Quotes to Explore
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Good music is good music, regardless of where it comes from. I think that's a really important thing to carry with you.
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Music was a way of rebelling against the whole rah-rah high school thing.
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I think I've had the longest career of strength, focus, and still being able to sell records. I think I'm that guy. I'm still blessed with the opportunity to make music and pass out a message like, 'Life is good,' to the world.
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I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not. I watched those movies over and over when I was younger and the music is ingrained into my head. Nowadays, I'm still humming the tunes. It taught me the fundamentals.
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Coming to Nashville has been so motivating and inspirational. Just watching people live and breathe their music and create something that they can feel from start to finish.
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Music history has flowed under the bridges for many years.
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As a teenager I had friends who had little music studios in their bedrooms and garages. I'd go and play around; very soon, my hobby became a passion.
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There's nothing like a music festival. People are ready to have a good time. I don't think anyone comes to a festival going, 'I'm gonna be a complete bummer today.'
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Young kids should be doing music that has shock value. They'll grow out of it.
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I'm the artist when I'm doing music that I am when I'm acting. I'm everything.
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For me, the music dictates the melody. Give me a riff to sing over, you know?
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I don't have specific music for when I'm writing. I'm usually listening to the same playlist or 'artist' before I arrive at the computer as when I'm walking somewhere after leaving the computer.
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I've always been a really really big Sheryl Crow fan. I just respect what she does in a way that she just remains true to her music and sort of has just been real. She isn't trying too hard ever.
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I think music should be experienced by people all ages.
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I like rock music because it's always sonically fascinating. There's never a method to what it needs to sound like. It's just however that instrument comes out that day, whatever the humidity level was in the air, what studio you were at. All that makes that tone that you can't re-create, so each song is like a person.
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In my music and my life, I'm honest with my feelings, and people appreciate that. That's just the way I am.
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Music can be made anywhere, is invisible and does not smell.
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Their eagerness for the big-band music and their ability to grasp the essence of it made me realize that today's generation has not been properly exposed to the big-band sound.
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Fear rules almost every newsroom in the country.
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Whether they're paying for it or not is not really relevant. They're investing a significant amount of time in our content. At some point, commercial opportunities will materialise for greater percentages of that audience.
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I'd had a French education for three years, my father being in the army. From 9 to 12, I went to French school. I've been sort of part of the culture, part of the geography, since I was quite young - the imprint was there.
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In working with those who are dying, I offer another human being a spacious environment with my mind in which they can die as they need to die. I have no right to define how another person should die. I'm just there to help them transition, however they need to do it.
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The honest truth is - and I have felt this way forever - is my largest competitor is myself. Always. I am intimidated by my own hang-ups about acting more so than anything, any part, any director.
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I don't know anything about music theory at all. Zero. But I don't really need to.
