Kacy Hill Quotes
I have to remind myself constantly that people actually want to hear the music I've made; that's hard for me to digest. I think a live audience is the only tangible evidence you can have that your work is making an impact. It's really humbling.
Quotes to Explore
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I see my role as a scholar announcing that women's feelings of unworthiness and insecurity often may be traced to training in a male-oriented religion, and I'm trying to investigate a richer spiritual life for both sexes.
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I loved every place I lived and traveled. London, Paris, Rome, Venice. I fell hard for Central America and Mexico. In each country, I had fantasies that I could live there.
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I think that the U.S. does have this very much more open attitude, and I admire it very much and I think it's very important to the world. But the information and the discussion sometimes come too late, after the effective decision has been made.
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I inherited some Chanel pieces from my mother. I've worn Prada - absolutely. Wonderful designers are inspiring. I also love designers not known. I love a lot of vintage pieces. I am pretty minimal, pretty classic.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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I would definitely like to start a family because it's the most important thing in the world and what you should take care of, along with your friends and the people you love.
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If you really want something, it's nerve-racking, but at the same time, I try not to stress myself out about it too much because there are also so many arbitrary things that go into being cast for something - you know, like the color of your eyes, all these things that are kind of out of my control.
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If anything, I was a prodigious eater of everything that was put in front of me. That was probably the only thing my parents wouldn't complain about.
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The Zionist movement gave political expression to our claim to the land of Israel. And in 1922, the League of Nations recognized the justice of this claim.
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I don't think there's any dearth of talent in India - we've always had the best juniors in the world.
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He that climbs the tall tree has won right to the fruit, He that leaps the wide gulf should prevail in his suit.
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Once a song's out there, it's no longer mine. And that's the whole purpose of music: to belong to people.
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In my early 20s, I didn't even know what the Groundlings was. I had no idea. But I know how to break down a script and work on the character.
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When I got my Oprah money, the first thing I bought was a really nice electronic bidet toilet seat.
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My style is schizophrenic! One minute I'll be wearing bright girly dresses, and the next I'll be swinging towards more structured masculine things.
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With the work that I do as a director, I've got dialogue, camera movement, and character blocking to help create a tone to the piece. In photography, those elements are somewhat void so that tone becomes a bit more subtle but still equally important.
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A woman caring for her children; a woman striving to excel in the private sector; a woman partnering with her neighbors to make their street safer; a woman running for office to improve her country - they all have something to offer, and the more our societies empower women, the more we receive in return.
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Turning 18 is a big deal.
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I always feel more comfortable in chaotic surroundings. I don't know why that is. I think order is dull. There is something about this kind of desire for order, particularly in Anglo Saxon cultures, that drive out this ability for the streets to become a really exotic, amorphous, chaotic, organic place where ideas can, basically, develop.
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As an actor, the training I received was that I walk through the world as an observer of life and of people. My job is to actually be looking out all the time and watching people.
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You need to know the characters as living, breathing people before you start the plot; otherwise, you'll feel panic, anarchy and chaos.
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People are always setting conditions for happiness... I love life without condition.
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Before most people start boasting about their family tree, they usually do a good pruning job.
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I have to remind myself constantly that people actually want to hear the music I've made; that's hard for me to digest. I think a live audience is the only tangible evidence you can have that your work is making an impact. It's really humbling.
