Ed Catmull Quotes
I love solving the problems of having groups work together and removing barriers. But to actually turn around and be in the center of that is an awkward place to be.
Quotes to Explore
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I always watch the work I do.
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People look at stuff like 'Godzilla' and 'Avengers' and think I only do blockbusters, or however you wanna put it, but in reality, I can make double or triple what I got paid for 'Avengers' by doing other stuff - there are other options, but I don't want to work with this person or that person, and so I don't do it.
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Secret families are really the bedrock issue of Western literature.
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I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
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It doesn't work that way, you know, because most parts that you think you'd do well, most other people don't. So they offer you something - The Avengers is a good example... I fitted into that because I came from that sort of background. It's not even acting.
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How are the cabs in your city? In Manhattan, where I work, they are rather awful.
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I've always been a feminist, and what I love in my work is being able to explore a full-sided woman and not patronize her.
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We need to accept that consumption is not the end goal of our life and stop measuring our well-being simply on the basis of earnings. We need to explicitly take the quality of our work-related life into account in judging our well-being.
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No one tells salesmen what they can and can't do.
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When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
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Just for you to know, people, models, are very smart. We're investing money in the right way, and, you know, a modeling job I'm taking as a businesswoman. So it's not fun for me; it's work.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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I think that kids need to grow up watching what I grew up watching - great entertainment; you know, Judy Garland and all these musicals that bring song and dance and acting all together in a polished way.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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What I see now is the consumerisation of IT. I don't want my company to tell me that I have to use a BlackBerry or I have to use a Windows phone. I just want to use the phone I want and have it all work.
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Nothing changes and very little happens in Paris. This is a great place to work without distraction - and then I run away to New York, where I have a life!
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If you're a pop singer, you don't need to evolve. You just get a set together, have some hit songs and play them over and over.
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The people who knew me and knew my work and trusted me, they knew then as they do now that I've never fabricated or plagiarized a story. People who know me know I didn't do this.
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Doubting what you see is a very odd experience. And doubting what you remember is a little less odd than doubting what you see. But it's also a pretty odd experience, because some memories come with a very compelling sense of truth about them, and that happens to be the case even for memories that are not true.
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I don't know how old I was when I started writing books. But, I was born in 1931, and I wrote my first book in 1961.
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What if she figures out you're not very smart?
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I'm excited and blessed.
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I love solving the problems of having groups work together and removing barriers. But to actually turn around and be in the center of that is an awkward place to be.
