Eduardo Galeano Quotes
The Nobodies; Cied in Mother Jones Magazine (1991) The Book of Embraces. March-April 1991. p. 71
Quotes to Explore
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Dr. Phil is hiding something. Otherwise, why wouldn't he use his last name?
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My best friend Rosemarie and I had a very involved secret life when we were in elementary school. After we saw 'The Day the Earth Stood Still' on TV, we invented a whole secret life in which we were twins from the planet Venus, and we were in charge of the entire solar system as well as Earth.
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I was making comebacks every single year. That makes it difficult mentally. It causes a lot of stress.
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Musical compositions can be very sad - Chopin - but you have the pleasure of this sadness. The cheap consolation is: you will be happy. The higher consolation is the pleasure and recognition of your unhappiness, the pleasure of having recognised that fate, destiny and life are such as they are and so you reach a higher form of consciousness.
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When I was in the running for the role of Elphaba, I knew it was important to research and study as much background information as I could, so I got my head stuck into 'Wicked: The Life and Times of the Wicked Witch of the West' by Gregory Maguire, and I believe I lost many days, weeks, and months reading it - I was captivated!
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I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
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The first single I released, 'Anything Goes,' is probably one of the best-written songs I've heard in a long time. It takes somebody knowing who you are. Sometimes writers know who an artist is and what they want to say and how they sing. I will never be opposed to cutting a song if somebody nails my life and what I'm going through.
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I didn't want to be a slave to any passion anymore. I gave up card playing altogether, even bridge and gambling - more or less. It took me a few years to get out of it.
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What is necessary to change a person is to change his awareness of himself.
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I admit I do have some drawbacks and limitations as a candidate. Although I am a professional comedian, some of my critics maintain that this is not enough. I cannot deny that I stand before you untested and inexperienced - I only spent two years in television, never as a romantic lead or a song and dance man.
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There are lots of concerns facing English football but for me the major one is the way in which football clubs are run by owners, whether they are growing organically and sustainably and how that is being policed by the football authorities.
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Singing, for me, means singing as loud as I can.
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I don't talk about how old I am because sometimes it can affect parts that you get in Hollywood. I don't believe that it's a necessary element. I feel that I'm a character, and I'm an actor. People focusing on my age instead of the role I'm playing can be a hindrance.
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I've always gone for the more sensitive, bookish guy, totally. The jock boys, the sporty guys, I don't know... they just didn't do it for me.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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I'm concerned about my daughter because she will not believe in Santa Claus. No matter what I say to her, she just doesn't buy it, and she's 2. I refuse to give it up. I say, 'There is a Santa Claus,' and she says, 'Okay, Mommy. In pretend world, right?' She really doesn't believe.
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I had learning disabilities, and I couldn't express myself in the written word.
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Then all of a sudden, Quentin Tarantino comes along and puts a song from 40 years ago in one of his films and they've suddenly discovered you. That was a real gift that Quentin gave me.
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Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
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I keep a lot of things inside. I don't like showing too much emotion. Early in the minor leagues, they wanted me to show more emotion, but it wasn't me.
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You have to get out there and compete. You have to work hard. People aren't just going to come knocking on your door and say, 'Please let me invest $1 billion in your back yard.' You need to be able to go and match the pitch and close the deal.
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Hospitality knows no gender or race.
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If the agency of the mother in forming the character of her children is, in truth, so considerable, as I think it - if she does so much toward making her son what she would wish him to be - how essential is it that she should be fitted for the beneficial performance of these important duties.
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The Nobodies; Cied in Mother Jones Magazine (1991) The Book of Embraces. March-April 1991. p. 71
