Liz Phair Quotes
My identity has everything to do with me and my instrument. It doesn't have to do with what production style I use, or how many people played on it, whether it's sparse or grandiose or whatever. And I'm social, frankly.
Quotes to Explore
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These political movements flourish on the margins of Turkish society because of poverty and because of the people's feeling that they are not being represented.
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The sports page records people's accomplishments, the front page usually records nothing, but man's failures.
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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The music is just so rich and part of the culture there. I suddenly felt like I needed to go on this mission to make sure we save New Orleans because - not that I can save anything - but it's so much part of what this country is, this whole mix of people coming together and doing this thing.
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The priesthood is a marriage. People often start by falling in love, and they go on for years without realizing that love must change into some other love which is so unlike it that it can hardly be recognized as love at all.
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Usually when you're working is when people want you to work. They don't want you as much when you're not working. That's the frustrating nature of our business.
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People like to pigeonhole you. It's easier.
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Helping people boost themselves out of poverty is the best way to make a lasting positive difference in a person's life.
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Tolerance, openness to argument, openness to self-doubt, willingness to see other people's points of view - these are very liberal and enlightened values that people are right to hold, but we can't allow them to delude us to the point where we can't recognise people who are needlessly perpetrating human misery.
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You know, the polls show that 70 percent of the people are for stem-cell research.
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The sea speaks a language polite people never repeat. It is a colossal scavenger slang and has no respect.
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The hype man's job is to get everybody out of their seats and on the dance floor to have a good time.
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The only important thing about design is how it relates to people.
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The big businesses are less willing to take risks. I talked to some young people in Hong Kong, and they said they are lost. Young people indeed have fewer opportunities than before. But is it true that there are no more opportunities for them? No!
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It's just my aesthetic: to want to feel a bit undone, effortless but not without style.
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People love gentle larceny.
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I've always been a big advocate of making shows affordable because a lot of these bottle-service clubs and events are geared toward really expensive experiences. Club music is for everyone, and it drives me crazy that people are getting priced out.
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It's funny, we all really, really got along. I don't know how it was in years past but this year, I was really with a good group of people. No one tried to sabotage each other or steal the other ones moments.
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I'm not saying that I'm on some crusade to change people's minds. I'm just doing what I do. I'm a comedian, I'm trying to be funny... I think when they see a comedy show with an Iranian and an Egyptian and two Palestinians, I think they go, 'Oh wow, these guys are just like us.'
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It's a taboo that comes back over and over, to suggest that women can feel divided - that you can love your child and want to do everything for it, and at the same time want to put it away from you and reclaim something of yourself.
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Dancing in high heels is kind of tough. I learn the dances without the heels, and then we add them. We just practice, and I get used to it. My feet hurt really badly at the end of the shows, but it's fun. While it's happening it's fun. I feel tall.
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My identity has everything to do with me and my instrument. It doesn't have to do with what production style I use, or how many people played on it, whether it's sparse or grandiose or whatever. And I'm social, frankly.
