Liz Phair Quotes
I always give the encore over to chaos, so people can yell out requests and I can hack my way through a song that I don't really know anymore.
Quotes to Explore
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When belief in a god dies, the god dies.
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There's not much room for eccentricity in Hollywood, and eccentricity is what's sexy in people.
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This work made me more and more interested in biological matter, and I decided that I really wanted to work on the X-ray analysis of biological molecules.
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I look at it this way: the WNBA is 13 years young. I think eventually women will get to that point, maybe in my daughter's generation, where their salaries will be similar to men's. But we're still starting off, like, where the NBA was back in the 1950s.
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What can you say about a society that says that God is dead and Elvis is alive?
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I am going to change the world, and I'm talking to everybody in the possible world that I can get to that can help me to do that.
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If I could work with Joan Van Ark every day for the rest of my life I would.
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I get a lot of influence from pro wrestling. People are like, 'Oh, it's fake.' But it's not about whether the guy wins or loses, it's about how he entertains you the whole time you're watching.
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I enjoyed climbing with other people, good friends, but I did quite a lot of solo climbing, too.
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We love those who know the worst of us and don't turn their faces away.
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Maturity - among other things, the unclouded happiness of the child at play, who takes it for granted that he is at one with his play-mates.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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It takes having your golf peak four different times throughout the year. You have to like all four golf courses. You've got to be the best of that week for the four weeks.
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Y'all have no idea how many times I say, 'Yes, ma'am.'
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Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.
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Obama's presence opened a new field for writers, and what began as curiosity about the man himself eventually expanded into curiosity about the community he had so consciously made his home and all the old, fitfully slumbering questions he'd awakened about American identity.
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I used to go down every year for the remembrance of Elvis' birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days.
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God guided me to America and gave me a good job. But he also gave me a heart so I would look back.
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You may have heard that back in the States there are some people who are smoking grass. I don't know how you feel, but it's sure easier than cutting the stuff.
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I don't want people to see healthy eating as a diet. I want it to be satisfying food that everyone takes pleasure in eating.
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I'm one of those people that, if I hear about something happening, I go crazy. I want to go help.
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No one wanted me to be a conscientious objector. My parents certainly didn't want it. My teacher and mentor, Joe Brearley, didn't want it. My friends didn't want it. I was alone.
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On 'Lab Rats,' I read the script probably three or four times before we ever even do a table read because I want to be completely prepared. And I want to know exactly which beats I have to hit and where I need to make something comical. Some lines need a little more than others do just to get the point across, to get the joke to be funny.
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I always give the encore over to chaos, so people can yell out requests and I can hack my way through a song that I don't really know anymore.
