Otis Rush Quotes
Quotes to Explore
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Setting a tone of inclusiveness and ensuring protection for all begins at the top, whether from the White House or the State House.
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Can you imagine being Leonardo Da Vinci in the 1400s trying to describe his ideas for machines that would allow humans to fly to the average person of his time? This is hundreds of years before the invention of electricity, the internal combustion engine, and many other things we take for granted today.
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I tell them the rules are made by the government. Every firm should comply. It doesn't mean they can't compete.
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Everywhere in the world, we're aware that democracy has incredible flaws and that the word has been used, especially in the United States, to wage wars.
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Children are the world's future, and we need to take care of them like we would any precious resource.
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Why do elites hate the poor? It's xenophobia. They don't know any poor people - except their off-the-books Brazilian nanny and illegal immigrant cleaning lady from Upper Revolta who don't speak English.
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The music I love listening to is more of the Jack Johnson, Ben Harper, Dido, Jewel, Nora Jones, Joss Stone, a bit more of that organic live-instrumentation feel.
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Sorrel adds a unique grassy sharpness to salads and dressings, but it can be hard to come by.
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The songs I've written that are the strongest, I'm like: 'I don't know where that came from. It just kind of popped out.' You feel you can't take a whole lot of credit for it. I didn't purposefully will it into existence.
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The trains were the beating heart of the New York graffiti scene.
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When all men think alike, no one thinks very much.
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We've heard that the hookup culture is destroying us. We've heard that it's saving us. We've heard that it's racist. We've agonized over which one of these is true.
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'Srimanthudu' was very important for me and my career at that time, so I was tensed. But for 'Brahmotsavam,' honestly speaking, I am more excited because of its content. I have attempted something new, and I am keen to see how the audience receives it.
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The first job I ever had was singing in a jazz club when I was like 15 with my friend, and we earned like 70 bucks. We were like, 'Oh my God!'
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Every fight, I'm fighting blind opponents. I don't know who it's going to be, who I'm fighting, if I'm really fighting them.
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I think you just have to accept the fact that no one lives forever, and eventually things are going to come to an end, whether it's a TV show or life.
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I will far rather see the race of man extinct than that we should become less than beasts by making the noblest of God's creation, woman, the object of our lust.
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Noble bold is an accident of fortune; noble actions characterize the great.
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I still love physical product. I still hold out for actual CDs, because in radio, everyone just wants to send you a file to play.
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But I'd say 'How to Make It in America' is the most accurate depiction of the New York hipster community on television for sure.
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What really matters is who you are when you step on the field, and I will let my bat and my glove speak for themselves.
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I got to the point where I'd featured on songs; I'd done backing singing for major artists. I'd done all these shows, but it was always for other people.
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Oh, I was working occasionally in and out of New York.
