Lois Greenfield Quotes
Working improvisationally in my studio with dancers, it's completely different. We don't have any starting point; we don't have an end point. We don't have anything we are trying to show or do. The picture evolves from nowhere.
Quotes to Explore
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment, because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.
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I like being an outsider. It is better in France on the outside.
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Being jealous of a beautiful woman is not going to make you more beautiful.
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My parents wouldn't have sent me out into the world with wool over my eyes. You have to be aware, or you'll be swallowed.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
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I think being called a cat lady is a compliment. It means you have adopted a tiny little maniac into your life.
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I was always active as a kid. I was a professional figure skater for many years and I was a dancer, so it's just been part of my life, and I think that creates a certain body type.
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I can't stop people from writing imaginative stories about me entering politics.
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In Sierra Leone last year there was just the two of us hanging out of a helicopter and, when we were in Bosnia, I drove an armoured vehicle, thousands of miles.
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Society tells you that when you're old you have to retire. You have to defy that.
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I think the reason I love 'Antiques Roadshow' is that it is sort of like the lottery. There's the chance a regular Joe could walk in with anything and come out close to a millionaire. There's the thrill of the find.
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The characters I've portrayed may outwardly be quite different from one another, but I've found that they're also intrinsically linked.
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My commitment to the Republican movement was pure and simply patriotism, a love of Australia... a desire or passion that all of our national symbols should be unequivocally and unambiguously Australian.
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I consider Apple to be very closed. Let's say you have a book business, and you are charging 5 to 7 percent gross margins; you can't exist in an Apple world because they want 30 percent, and they don't care that you only have 7 percent to play with.
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I don't have to do anything for anyone else's benefit anymore. I just want to exceed my own expectations.
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I think people think of Oregon as such a granola, hippie kind of a place.
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I want people to understand that I intend to continue living and doing all the things that I love to do up until the end. And the end is by no means rushing up on me.
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I want to get away from couture just being done for a picture or for a single moment on the red carpet. I want to try and convince women that couture can be worn in the day and that there's a reality and relevance there, because that's what Mr. Christian Dior wanted.
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I move around and play different golf courses. I just enjoy it.
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'Nuyorican Soul' has a lot to do with our lives, growing up in New York, listening to all different styles of music, hanging out with all different kinds of people.
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When you get the high art of William Shakespeare and the greatest love story ever told, and you collision crash it with the low art of the tacky garden gnome, you're going to have lots and lots of opportunity for fun and putting your tongue very firmly in your cheek.
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Working improvisationally in my studio with dancers, it's completely different. We don't have any starting point; we don't have an end point. We don't have anything we are trying to show or do. The picture evolves from nowhere.
