Lois Greenfield Quotes
Working improvisationally in my studio with dancers, it's completely different. We don't have any starting point; we don't have an end point. We don't have anything we are trying to show or do. The picture evolves from nowhere.
Quotes to Explore
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment, because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.
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I like being an outsider. It is better in France on the outside.
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Being jealous of a beautiful woman is not going to make you more beautiful.
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My parents wouldn't have sent me out into the world with wool over my eyes. You have to be aware, or you'll be swallowed.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
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I think being called a cat lady is a compliment. It means you have adopted a tiny little maniac into your life.
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I was always active as a kid. I was a professional figure skater for many years and I was a dancer, so it's just been part of my life, and I think that creates a certain body type.
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I can't stop people from writing imaginative stories about me entering politics.
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In Sierra Leone last year there was just the two of us hanging out of a helicopter and, when we were in Bosnia, I drove an armoured vehicle, thousands of miles.
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Society tells you that when you're old you have to retire. You have to defy that.
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I think the reason I love 'Antiques Roadshow' is that it is sort of like the lottery. There's the chance a regular Joe could walk in with anything and come out close to a millionaire. There's the thrill of the find.
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The characters I've portrayed may outwardly be quite different from one another, but I've found that they're also intrinsically linked.
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My commitment to the Republican movement was pure and simply patriotism, a love of Australia... a desire or passion that all of our national symbols should be unequivocally and unambiguously Australian.
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I consider Apple to be very closed. Let's say you have a book business, and you are charging 5 to 7 percent gross margins; you can't exist in an Apple world because they want 30 percent, and they don't care that you only have 7 percent to play with.
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I don't have to do anything for anyone else's benefit anymore. I just want to exceed my own expectations.
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I think people think of Oregon as such a granola, hippie kind of a place.
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I want people to understand that I intend to continue living and doing all the things that I love to do up until the end. And the end is by no means rushing up on me.
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I would love to play Dot in 'Sunday in the Park with George.' It's one of my dream roles - to play Dot.
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I like the idea that [Mahatma] Gandhi is appearing now in an opera hall in all these different places, and people kind of think about it again.
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Less than 1 percent of American have served in 12 years of war, and serious public conversation about military policy is sorely lacking.
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I remember my dreams when I was a junior soloist. 'Oh, I hope I don't end here,' I thought. 'I want to do the ballerina in 'Scotch Symphony.' I don't want to be the little Scotch girl.' And I actually went beyond my wildest dreams. I worked with Balanchine. I had ballets choreographed for me.
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Working improvisationally in my studio with dancers, it's completely different. We don't have any starting point; we don't have an end point. We don't have anything we are trying to show or do. The picture evolves from nowhere.
