Haim Ginott Quotes
I can be a tool of torture or an instrument of inspiration. I can humiliate or heal. In all situations, it is my response that decides whether a crisis will be escalated or de-escalated and a child humanized or dehumanized.
Quotes to Explore
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I've fallen victim to worrying about what everybody thinks. It's never going to be that everyone is happy. You just gotta know what you like and go with it.
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I needed to really pursue music and learn what I needed to learn on my own by getting in and doing it, not by reading a book about it.
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If you don't have a teacher you can't have a disciple.
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I believe in the power of intention to change the landscape of our society - and it is my intention to live an authentic life of compassion and integrity and action. Jamey Rodemeyer's life changed mine.
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I couldn't go now to a brand that had a niche attitude like... gothic. I couldn't do that. Well, I could do it, but I wouldn't find it interesting, challenging.
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Fame can be annoying, but there are perks too.
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I went to quite an academic school, and all my friends were going to university, but even before my acting jobs, I didn't want to do that. I didn't want to spend another three years being institutionalised, and I feel that getting out of that system benefited me in quite a few ways.
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The nightmare of materialism, which has turned the life of the universe into an evil, useless game, is not yet past; it holds the awakening soul still in its grip.
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I truly believe that you have to bring more content to the table to survive in radio than saying, 'There was AC/DC, and here's Journey,' because computers can do that.
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Above all, I try to create an emotion to which others can respond.
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I think one's feelings waste themselves in words; they ought all to be distilled into actions which bring results.
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I came into the rap game in 1992; my life was changing, but my group wasn't successful; I also saw the biggest rappers in the world die all of a sudden in the ensuing years, so it was a matter of conquering yourself before you can conquer the world.
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You can watch someone on – stage cry and cry – but in the audience you feel nothing. It's easy to become indulgent. For me, what's important is the story first.
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Every child deserves to grow up knowing their potential and feeling confident that they won't fall at the first hurdle - that they cope with life's setbacks.
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I'm not even kind of a lesbian.
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In general, I think comedy is more difficult to write, to direct, and to act successfully.
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Nashville is wicked. It's like a proper music community, but it's also quintessentially American. You bump into people there with cowboy hats that spit in jars and call you 'boy.' I just love that.
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'The Shining,' 'A Nightmare on Elm Street,' 'Halloween.' Those are the greats.
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Growing up as a product of the black civil-rights movement, I had a lot of different models for black weirdness, whether it's Richard Pryor or James Baldwin or Jimmy Walker.
Colson Whitehead -
If they don't like you, they don't renew. Renewal is everything.
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The way I create music is maybe like a painting, to compose in a more visual way. Basically it's the music that I want to hear- that's my inspiration and bottom line. I just try to get ideas from books, movies, paintings.
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I can be a tool of torture or an instrument of inspiration. I can humiliate or heal. In all situations, it is my response that decides whether a crisis will be escalated or de-escalated and a child humanized or dehumanized.
