Andrea Seigel Quotes
I lean toward anything with a dark sense of humor. And since I've been out of school, the majority of my books have been contemporary; basically, I like my characters to have electricity - even better, a TV.
Quotes to Explore
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I started getting really interested in comedy when I was in middle school.
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Music was a way of rebelling against the whole rah-rah high school thing.
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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As I grew older, I actually was prepared to go into fine arts school and do a degree. That was what I was actually settled upon when I was offered a record deal.
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I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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'American Horror Story' is dark, so you shouldn't be expecting too much happiness.
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If you're having a down time at school and people are bullying you, they don't know you. They don't have the right to have an opinion on you.
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I wanted to be an animator originally. I went to art school; I went to art college and everything. But that screen was just calling me.
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The philosophy of the school room in one generation will be the philosophy of government in the next.
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Under HB 2655, the state is responsible to ensure parents are aware of the purpose and value of assessments and receive notice from their local school districts about their rights and obligations. Educators must engage with parents about the value of assessment and the potential consequences if parents opt out and student participation diminishes.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.
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When I was a kid, in a very white boarding school in England in the '90s, I had this sort of middle part that kids had - that sort of long, floppy hair. So I was always desperate to have long, floppy hair, and I would try and brush it and spray it, and it would just look like a Brillo pad!
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I'd been kind of a hiccup in my parents' lives. They lost track of me and I didn't know what I was going to do with myself. And then fate reached in and took me in its hands. I was discovered right out of high school and started getting work.
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Right out of high school I never had the fear of getting beat, which is how most people lose.
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If I do have kids, I can't wait because I'm excited to go back to school to help them with their homework and remember how to do simple math. I think it's about staying curious and not losing the sense of wonder.
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I was always interested in the arts as a child - drawing, painting, and piano - but acting became a favourite. I was a major theatre geek in high school - if I wasn't in the drama room at lunch rehearsing, I'd be in the art room finishing up some type of project.
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After school, I'd hang out at the Borders bookstore until it closed.
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I went to school in drag, in art school and my day was completely different because everybody thought I was a chick. You should see me as a chick. So I went as a girl, as like an experiment and it worked really well and everyone was really nice to me but I couldn't talk obviously... you know train conductors were really cool to me on my commute... HA! I looked hot as a chick!
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We do have a two against one rule. If two sisters feel very strongly about a design or trend we want to try, we go for it.
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Blaming something else makes that something else cause; and as that cause takes on power, the individual in the same act loses control and becomes effect.
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Maybe storytelling belongs in audio - a short story is the length of a commute. That can be a sacred spot where you have the ear of the reader without having to compete with other media like games or TV.
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Every spirit makes its house, and we can give a shrewd guess from the house to the inhabitant.
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I lean toward anything with a dark sense of humor. And since I've been out of school, the majority of my books have been contemporary; basically, I like my characters to have electricity - even better, a TV.
