Andreas Antonopoulos Quotes
What happens when an industry transitions from using one or more 'smart' and centralized networks to using a common, decentralized, open, and dumb network? A tsunami of innovation that was pent up for decades is suddenly released.
Quotes to Explore
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I belong to a specific category of writers, those who speak and write in a language different from that of their parents.
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A sack is way better than any nightclub. A touchdown is way better than any bar experience I've ever had.
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I now believe that major labels can only work with people who care more about fame and money than the quality of the art they produce.
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I have to protect myself because people think that because you come into 25 million homes every week, they know you. I walk the line between being gracious and being rude.
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People deal with models like they are children. They think they can pull one over on you. It's actually funny. I'm always like, I'm about to pull something on you, and you're so focused on thinking I'm dumb, you're not even going to know.
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Don't sell credits; don't sell walk-on roles... If people want to back you, they'll back you. But if you have to entice people will walk-on roles and crazy credits, you're undermining yourself.
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When people refer to 'Back in the Day,' it was a Wednesday. Just a little fun fact for you.
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Men of New England, I hold you to the doctrines of liberty which ye inherit from your Puritan forefathers.
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Once there was a boy so meek and modest, he was awarded a Most Humble badge. The next day, it was taken away because he wore it. Here endeth the lesson.
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I started writing 'The Lord of Opium' in 2008 and produced about 80 pages before disaster struck. Three eye operations nearly put an end to my career.
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I live in New York. I don't really particularly want to move to LA.
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A hit film is what we work for as actors, as that goes to show that we have managed to entertain our audiences who shower us with their love and affection throughout the years.
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The most important thing as a leader is your relationship with God.
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If I was being paid thirty-thousand dollars a year, the very least I could do was hit .400.
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I have been five minutes too late all my life-time!
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I don't particularly like L.A.
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As an individual, I need space and can't be locked in a house with strangers. I would do 'Bigg Boss' if I get to co-host it with Salman Khan.
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Too clever is dumb.
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I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
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Music has that ability to be a magical thing, and I was like, maybe music is the vehicle that transports us to that other world.
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I feel like part of me will die when John Goodman dies.
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It's all I have left in my life, caffeine and a poodle.
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When we approach games, we're always emotional-focused, so if a free-to-play business model works against the emotion, we won't use it. If it actually works well with the emotion, or if we can come up with a new way to do monetization that's different and that's unique for the game, I would go for that.
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What happens when an industry transitions from using one or more 'smart' and centralized networks to using a common, decentralized, open, and dumb network? A tsunami of innovation that was pent up for decades is suddenly released.
