Andrew Keenan-Bolger Quotes
I think one of the traps of theater - what makes it so amazing is that it's not able to be mass-produced, but it also makes it hard to get work seen by people because if you're a creator, you do a cabaret or something, and maybe 100 people will see it and then it ends the night that you close it.
Quotes to Explore
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The war changed everybody's attitude. We became international almost overnight.
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We're proud to be lifetime musicians and a band that lives like a band and loves the music and gives our lives to it.
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No one has a name in 'The Road.' Like Cormac McCarthy's novel from which it's adapted, 'The Road' features characters such as the man, the boy, the wife, the old man and the veteran.
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Vinyl is democratic, as surely as the iPod is fascist. Vinyl is representational: It has a face. Two faces, in fact, to represent the dualism of human nature. Vinyl occupies physical space honestly, proud as a fat woman dancing.
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Many artists and writers have used cannabis for creative stimulation - from the writers of the world's religious masterpieces to our most irreverent satirists.
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The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.
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I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.
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Well, you know what? The same people that get driven crazy by hip hop are the same people that probably listen to the type of music that drives me crazy. Like, Journey covers.
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I'm not denying that it's exciting to have a play on Broadway.
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Have you learned the lessons only of those who admired you, and were tender with you, and stood aside for you? Have you not learned great lessons from those who braced themselves against you, and disputed passage with you?
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I don't know that on-demand sports is remarkably better than live sports.
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It was not about losing my mental power; it's about not feeling good about my contribution to the game.
Garry Kasparov
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My dad was really complex, and I was raised by that. My mom is really bright - very book bright - and so those things collide... I learned that I could put all of that stuff together in the world of acting, and I could make a dollar at it.
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We all have original ideas. Even if we don't see ourselves as supercreative or as wild nonconformists, we have insights every day about how the world around us could be better. It might be a better way of running meetings in your office that would be less mind-numbing. It might be a little twist on a product or a service.
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Social Security is too vital to be lumped into backroom budget talks where the views of ordinary Americans risk going unheard.
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There are other writers who try for subtle and minimalists effects, but I don't travel in that tribe.
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I had to get out of America to get a professional life going where I could actually make a living.
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I do my best work if I think about what it is I have to offer.
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I'd love to do something where I have to completely transform. Or something that is very physical and would test me with discipline in that way. Something that I'd maybe have to train for.
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The personal things should be left out of platforms at conventions. You can argue yourself blue in the face, and you're not going to change each other's minds. It's a waste of your time and my time.
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I like books that expose me to people unlike me and books that do battle against caricature or simplification. That, to me, is the heroic in fiction.
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You have to realize that when I started to work on 'Aladdin', Disney Theatrical wasn't in existence. I suppose I had always hoped that 'Aladdin' would be somewhere on the runway.
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I don't like talking about my work at all. I find it very difficult. I never know what to say. It's too close to me, and there's so many things happening unconsciously while I'm working that I'm not aware of, and people will point these things out to me, and I'll say, "That's interesting." But I don't know what to make of it.
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I think one of the traps of theater - what makes it so amazing is that it's not able to be mass-produced, but it also makes it hard to get work seen by people because if you're a creator, you do a cabaret or something, and maybe 100 people will see it and then it ends the night that you close it.
