Andrew O'Hagan Quotes
Quotes to Explore
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I always start my campaigns early, and I run hard. Maybe it comes from the rough-and-tumble world of San Francisco politics, where it's not even a contact sport - it's a blood sport. This is how I am as a candidate. This is how I run campaigns.
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I don't feel American. I do feel like a New Yorker. I think there's a real distinction there. A city allows you to become a citizen even when you're not a national.
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I so never went through a bad-girl period.
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I am in the infantry for 17 weeks and after that I don't know where I am going.
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In 2001, I moved from Philly to Atlanta, where I lived for six years. I had never lived anywhere but Philly, and you can imagine the culture shock; the Civil War seeps into daily life and conversation down South in a way it never does up North.
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I could have ended the war in a month. I could have made North Vietnam look like a mud puddle.
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Wittiness turns me on more than anything else.
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Children refuse to compromise. Adults learn how.
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I don't understand why people make me want to make music that's a join-the-dots thing by numbers. I find it really difficult when people say, 'Aw, you should have made a really big hip hop record, that would have been really good for you' or, 'You should have made a song like Lily Allen, that would have been so great.'
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Social Security is too vital to be lumped into backroom budget talks where the views of ordinary Americans risk going unheard.
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I don't turn my nose up at anything. If it's a great part, it's a great part. I'd love to do a box-office hit.
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There have been times - and not just on 'The Newsroom,' but on 'The West Wing,' 'Sports Night,' 'Studio 60'... - where it was hard to look the cast and crew in the eye, when I put a script on the table that I knew just wasn't good enough.
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I remember seeing 'Gremlins' and having my mind blown and seeing 'Ferris Bueller's Day Off' at 13, and it was this hugely aspirational experience.
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I took a writing class in college, liked it, and my first year out of school I couldn't get a job, so I wrote a play.
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I've walked a lot in the mountains in Iceland. And as you come to a new valley, as you come to a new landscape, you have a certain view. If you stand still, the landscape doesn't necessarily tell you how big it is. It doesn't really tell you what you're looking at. The moment you start to move the mountain starts to move.
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I want to do a big Broadway musical, at some point. I would love to do that. To do something there would be super-cool.
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Doubts never end. If one doubt is removed, another takes its place. It is like removing the leaves of a tree one by one. Even if all the leaves are clipped off, new ones grow. The tree itself must be uprooted.
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He who wonders discovers that this in itself is wonder.
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I'm not very good at sticking at things if I can't be successful at them. I gave up on sport a long time ago.
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Before 'This is Our Youth', I did a week of table reading 'Airline Highway' at Steppenwolf in Chicago while the author, Lisa D'Amour, workshopped it.
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Poets are the mad midwives to reality. They see not what is, nor what can be, but what must become.'
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What I would have liked to do on that show was play a secretary of state who has huge personal business interests throughout the world. That, to me, seems to be more in synch with reality.
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The problem is one of opposition between subjective and objective points of view. There is a tendency to seek an objective account of everything before admitting its reality. But often what appears to a more subjective point of view cannot be accounted for in this way. So either the objective conception of the world is incomplete, or the subjective involves illusions that should be rejected.
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'Reality' is a notion that journalists take for granted.
