Andrew O'Hagan Quotes
Quotes to Explore
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I always start my campaigns early, and I run hard. Maybe it comes from the rough-and-tumble world of San Francisco politics, where it's not even a contact sport - it's a blood sport. This is how I am as a candidate. This is how I run campaigns.
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Kids have a great sense of humour. If you don't, you're going to miss out.
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Capitalism is about adventurers who get harmed by their mistakes, not people who harm others with their mistakes.
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I don't feel American. I do feel like a New Yorker. I think there's a real distinction there. A city allows you to become a citizen even when you're not a national.
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I so never went through a bad-girl period.
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I am in the infantry for 17 weeks and after that I don't know where I am going.
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In 2001, I moved from Philly to Atlanta, where I lived for six years. I had never lived anywhere but Philly, and you can imagine the culture shock; the Civil War seeps into daily life and conversation down South in a way it never does up North.
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I could have ended the war in a month. I could have made North Vietnam look like a mud puddle.
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Wittiness turns me on more than anything else.
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Children refuse to compromise. Adults learn how.
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I don't understand why people make me want to make music that's a join-the-dots thing by numbers. I find it really difficult when people say, 'Aw, you should have made a really big hip hop record, that would have been really good for you' or, 'You should have made a song like Lily Allen, that would have been so great.'
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Social Security is too vital to be lumped into backroom budget talks where the views of ordinary Americans risk going unheard.
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I don't turn my nose up at anything. If it's a great part, it's a great part. I'd love to do a box-office hit.
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There have been times - and not just on 'The Newsroom,' but on 'The West Wing,' 'Sports Night,' 'Studio 60'... - where it was hard to look the cast and crew in the eye, when I put a script on the table that I knew just wasn't good enough.
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I remember seeing 'Gremlins' and having my mind blown and seeing 'Ferris Bueller's Day Off' at 13, and it was this hugely aspirational experience.
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I took a writing class in college, liked it, and my first year out of school I couldn't get a job, so I wrote a play.
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I've walked a lot in the mountains in Iceland. And as you come to a new valley, as you come to a new landscape, you have a certain view. If you stand still, the landscape doesn't necessarily tell you how big it is. It doesn't really tell you what you're looking at. The moment you start to move the mountain starts to move.
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I want to do a big Broadway musical, at some point. I would love to do that. To do something there would be super-cool.
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In my father's later years he asked several times that I remember him the way I knew him. He said that after his death, people would talk. They would say 'things' about him and he wouldn't be there to defend himself.
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Spanish alone was understood or spoken here; our friend, the countryman, stuck to us most nobly, he understood us not a bit better than the rest but saw that we were in distress and would not desert us.
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Neither family, nor privilege, nor wealth, nor anything but Love can light that beacon which a man must steer by when he sets out to live the better life.
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Only the other world has substance and reality; only good deeds and holy learning have tangible worth.
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Too often, we take our construct of reality as an absolute, and what I'm trying to point out for most people is it's important for us to know what we don't know.
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'Reality' is a notion that journalists take for granted.
