Andrew Solomon Quotes
Philip Galanes has fashioned a novel both bleak and funny about a young man's struggle to sort out his troubled love: the too-strong love for his mother, the too-weak love for his suicidal father, and the all-consuming love of anonymous sexual encounters. Pointed and acute, this story tells of the narrator's many betrayals of others and their many betrayals of him. It exists in an uncomfortable moral space where the humor of terrible things sometimes outweighs, but never obscures, their poignancy.
Quotes to Explore
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I always try to keep a little bit of space in the year to work with other people. Because I love doing musicals, films and plays - projects where I'm not in charge, where I've got somebody else telling me what to do and I have to work with their vision.
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I do a lot of running and hiking, and I also collect stamps - space stamps and Olympics stamps.
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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I went and worked at a TV station in Stillwater. I was actually account manager for commercial accounts, selling ad space and everything.
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I wish the government would put a tax on pianos for the incompetent.
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I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
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When life catches up with us, we all need space to dream and indulge, so I have created my own special range of bath & beauty loveliness to help you find your happy place.
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When you educate a girl, you kick-start a cycle of success. It makes economic sense. It makes social sense. It makes moral sense. But, it seems, it's not common sense yet.
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A mate of mine told me recently, 'It's the first time I've seen you work, Worthington.' I thought that was quite funny, but he was right.
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I grew up in North Carolina. My father was a salesperson; he sold textiles.
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Ethics are not necessarily to do with being law-abiding. I am very interested in the moral path, doing the right thing.
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I did accents and funny voices for the family when I was growing up.
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When I was a little girl, I used to walk around with a towel on my head, pretending I was a nun. And then one day my mother said, 'Why don't you just become an actress, and then you can pretend you're a nun.'
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Tact is the ability to describe others as they see themselves.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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Nobody ever worked as hard as my father. My father averaged maybe four hours of sleep at night, and when you're a kid, you don't realize that. The man was tired. He was tired.
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Half of the great comedians I've had in my shows and that I paid a lot of money to and who made my customers shriek were not only not funny to me, but I couldn't understand why they were funny to anybody.
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If I were two-faced, would I be wearing this one?
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I watch mostly documentaries and things that aren't remotely funny.
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My mother always told me, 'Don't get married. Make your own life. You don't need a man.'
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The ANC must ensure that South Africa does not become a mafia state because once you reach that state, all the wheels have come off.
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If we're willing to accept unlimited immigration in order to keep wages low and corporate profits high, we should just say so and stop paying for all the immigration enforcement window dressing.
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A Protestant has seldom any mercy shown him, and a Jew, who turns Christian, is far from being secure.
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Philip Galanes has fashioned a novel both bleak and funny about a young man's struggle to sort out his troubled love: the too-strong love for his mother, the too-weak love for his suicidal father, and the all-consuming love of anonymous sexual encounters. Pointed and acute, this story tells of the narrator's many betrayals of others and their many betrayals of him. It exists in an uncomfortable moral space where the humor of terrible things sometimes outweighs, but never obscures, their poignancy.
