Loretta Lynn Quotes
When I lost my husband [Oliver "Doolittle" Lynn], I just didn't want to work so hard anymore. I hate that I didn't quit things a lot more before he was gone. I stayed home for six years to take care of him but, at some point, I also felt I had to go back to work.
Quotes to Explore
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Mundra Port remains committed towards setting up of world-class port infrastructure and facilities in India.
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The mere process of growing old together will make the slightest acquaintance seem a bosom friend.
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I think I'm a critic of corporate power, whether locally or globally. And the term 'globalization' I've never found all that helpful.
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You get to a point where it's like you can't really do anything right, and people will pick on you for whatever decisions you make, so I just try and take no notice and get on with my music.
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My mother is the sort of woman who not only can raise a chicken and roast it to moist perfection but, as she proved to my openmouthed sister and me on a family holiday to Morocco when we were very young, can barter for one in a market, kill it, pluck it, and then cook it to perfection.
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Life is too short to blend in.
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In the search for culpability for the tragedy in Ferguson, I mostly blame politicians.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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I tell people, 'Have you ever been to Oklahoma? There are a lot of nice people there that do wonderful things.'
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Whatever people thought the first time they held a portable phone the size of a shoe in their hands, it was nothing like where we are now, accustomed to having all knowledge at our fingertips.
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I hear all the time that boys don't like stories about girls. Which never made much sense to me. Wasn't 'Terminator' about a girl? And 'Alien'? Hell, I grew up on 'The Wizard of Oz.' People enjoy stories about anything if they're good stories.
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There has to be so many other ways of approaching airline security than demeaning ourselves by giving up a lot of our dignities and our liberty to do this.
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My mom was Jewish, so some would call me Jewish.
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We all know how funny Morrissey is. Actually, you know what? I say that sarcastically. His songs are some of the funniest songs I've ever heard in my life. I mean, really. I mean, not that the 'Girlfriend in a Coma' is, like, really funny.
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The healthy man does not torture others - generally it is the tortured who turn into torturers.
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Comedy is a great weapon of attack. It's not a great weapon of support.
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My dad moved to London in his early 20s and didn't really go back. So the irony is I've spent lots and lots of time in Ireland, but not with my dad. I've shot films in Belfast, where he's from. And I've shot in Dun Laoghaire. Which is great. And I've shot in Dublin.
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With the rights now in our loving hands, I'm beyond excited to bring 'The Green Hornet' into the 21st century in a meaningful and relevant way: modernizing it and making it accessible to a whole new generation. My intention is to bring a gravitas to 'The Green Hornet' that wipes away the camp and kitsch of the previous iteration.
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No matter how much talent you have in your mind and spirit, if your body is not able to function, you are not able to fulfill your destiny.
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There've been a few mother-daughter movies that are somewhat realistic. But the mother-son movies are more comical than realistic: 'Throw Momma from the Train,' 'Stop! or My Mom Will Shoot.' You don't sit in the dark and go, 'Oh my God, that's my mother.'
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I can't really write anything without knowing the ending. I don't know how people do that. Even with my superhero stuff, I have to know at least where I want to take the characters and what the ending of my story with them will be. I just can't structure stories or character arcs and stuff without knowing the endpoint.
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I think the name of the show, 'This American Life' - we named it that just because it seemed like it made the thing feel big. But we don't think about whether it's an American story or not. We happen to be Americans. I think for the stories to work, they have to be universal.
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It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed.
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When I lost my husband [Oliver "Doolittle" Lynn], I just didn't want to work so hard anymore. I hate that I didn't quit things a lot more before he was gone. I stayed home for six years to take care of him but, at some point, I also felt I had to go back to work.
