Lori Petty Quotes
What you write on the page has nothing to do with when you're on set. When you're on set, it has nothing to do with when you're in the editing room. And when you're in the editing room, it has nothing to do with the final movie. You just have to let it go.
Quotes to Explore
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Maybe I should pretend like I'm not insecure, but I really am. This movie is going to come out and... will people like it? Will they like Rey?
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I remember the first time my mind was blown by an actor was Tim Curry, because I loved 'Clue' when I was a kid, and then I was watching the movie 'Legend,' and the Devil suddenly smiles, and I was like, 'It's the same guy!' It was a total Keyser Soeze moment.
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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When romance is done well in a movie, it's awesome.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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There is a lot of Indian connect in 'Million Dollar Arm'. It is about two Indian boys, and we even shot quite a bit of the movie in India.
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'Moonlight' changed me. To see people so moved by this movie inspires me to find something else to offer. And maybe the next one touches only five people or maybe just one person. To me, you know, that would still be worth it.
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Ninety-nine percent of the time, when it comes down to it, if I have the choice between a great role and seeing a new guy, I would probably go for the great role because I figure if the guy's really that great that he'll be around once I'm done with the movie.
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In America there's no way I can make the kind of movie I like to make.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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Everybody in the South loves the one closeted homosexual who's married. It's just too funny to not have in a movie about the South. It's an epidemic. You gotta represent!
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We tried to approach this as though there's never been a Superman movie before, but at the same time respecting the canon and mythology. There are the pillars that you have to respect, and I'm not about to break them. But it is fun for me to bend them and mess with them.
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I would never try and do a remake off a movie. I think that's a whole different thing. I think everyone will always remember the first movie, and they will always compare it with the second one.
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I don't have a problem with my body. I don't diet, and I'm not hiding anything. I'm not going to be the subject of a movie of the week 10 years from now.
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I'll tell you one thing... no doubt about it, my favorite kind of comedy is talking head comedy. I mean, if it were up to me, I'd do a whole entire movie that was just around a dinner table.
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The fact is that you're never gonna believe any of the reviews, because the movie is to you what it is to you. No one's ever gonna sway you from what you feel about it.
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Most movie-goers are overdosing on star coverage; it's the ultimate example of too much information.
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All my friends were non-Muslims. I actually knew very little about Islam - like, very little.
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I get younger people who watch Conan or The Daily Show, but before that it was mostly people who knew me from public radio. Those people are kind of old.
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I never get tired of exploring Americana or country music, and I always have a little bit of a crooner in me that never seems to go away.
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When people ask me about what I learned from martial arts, I don't talk about favorite punches or kicks, or about fights won or lost. I talk about learning self-discipline, about ethics and manners and benevolence and fairness.
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What you write on the page has nothing to do with when you're on set. When you're on set, it has nothing to do with when you're in the editing room. And when you're in the editing room, it has nothing to do with the final movie. You just have to let it go.
