Rachel Lambert Mellon Quotes
I always design a landscape with fixed horizons whether it be mountains or a stone wall around a 20-foot-square plot.
Quotes to Explore
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I talk every day about doing the right thing.
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The gay community is very fickle. And I know because I'm part of it and I see it every day.
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You do not need to have a 2,400-page bill come out of Washington, D.C.
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When you watch it, you're like, Wow. I look like that. But it doesn't feel like that at all. It was about communicating with Gale Harold and getting across what I wanted to say about the character.
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Whether it's as the hero of an adventure story, as teacher and friend, as icon on watch, shirt or hat - everyone knows Mickey Mouse.
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Originally, I was in both software and in online computing. The first innovation really was sort of at that time that we're marrying the telephone and the computer so that people wouldn't have to drive to the computer center. We didn't have $1,000 computers.
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I think I had the most fun making a movie with 'Dedication,' just because you knew that it was a passion project for everyone involved. We had X amount of days to shoot New York in the cold. No trailers. Just sort of kind of doing it guerilla style in a way.
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I can't ever seem to shake the feeling that when things are really good it essentially means that things are going to go really bad. When I feel calm and settled, there is always an underlying feeling of impending doom... I don't think that it's healthy.
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If I had a spreadsheet on my computer, it looked like I was busy.
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I try to write stories that will attract younger readers and make them feel part of a wider readership. I do not feel able to write books that are about, or even for, teenagers; and I am inclined to be suspicious of books which 'target' them.
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I'm quite a slow reader. It can take me quite a while to get though a book.
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Once imbued with the idea of a mission, a great nation easily assumes that it has the means as well as the duty to do God's work.
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You just have to work super hard, and if you have a passion, that's the most beautiful thing in life, and you just have to bust out and do it, baby!
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I like restraint, if it doesn't go too far.
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My dad's a Republican. My dad's my mentor. When I was 18 or whatever it was and I decided to register to vote. My dad's Republican, so that's what I decided to register as.
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I like naturally occurring film grain, and what happens to film when it's under- and over-exposed.
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There's no one who has been living for centuries.
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When it's all said and done, I want to look back on my career and say I did numerous things.
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User-centered design means understanding what your users need, how they think, and how they behave - and incorporating that understanding into every aspect of your process.
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In 'The Bourne Identity,' I wanted to give the audience the feeling of being in the car with Jason Bourne, not just watching him drive but be in the car with him, and 'The Wall' is the continuation of that immersive filmmaking style. Where you're trapped behind the wall with Aaron Taylor-Johnson - for better or worse, you're trapped there with him.
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I come from down south, where vegetation does not know its place. Honeysuckle can work through cracks in your walls and strangle you while you sleep. Kudzu can completely shroud a house and a car parked in the yard in one growing season. Wisteria can lift a building off its foundation, and certain terrifying mints spread so rapidly that just the thought of them on a summer night can make your hair stand on end.
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People's live are expressed in little details....The soap in the bathroom, the flowers in the garden, the books on the bedside table are all strong symbols of a life in progress. You look at these details and a world unfolds - here are their books, the paintings they cherish, the music that soothes their souls.
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My fear represented the failure of the human system. It is a sad truth of our creation: Something is amiss in our design, there are loose ends of our psychology that are simply not wrapped up. My fears were the dirty secrets of evolution. They were not provided for, and I was forced to construct elaborate temples to house them.
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I always design a landscape with fixed horizons whether it be mountains or a stone wall around a 20-foot-square plot.
