Lorrie Moore Quotes
I think women do write politically all the time. Margaret Atwood does; Doris Lessing does.
Quotes to Explore
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I don't Twitter, although sometimes I think that I should.
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Most people who are looking to get a handgun are going to get a carry permit. But most people don't carry around rifles with them; they keep them at home or at the range.
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I was with the Jessie Bonstelle Stock Company in Detroit and Buffalo for three seasons - 10 performances and a new play every week. She was an amazing woman who did a great deal for me.
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When I first got Yves Saint Laurent Couture, I didn't know how to take off a cape. I would ask Katoucha and Dalma - the real divas of the runway - 'Can you show me?' I've never been afraid to ask for help.
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My parents are divorced, and seeing that was really painful for me. Really painful for me. But that's also a big part of why I'm intrigued by the dynamics between people – because I was close to something that fell apart.
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No one wants to work with a difficult star. I want to be the nice guy.
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I had almost three acres of land in Beverly Hills. And I had a big atrium of chickens because I love that feeling of being in the country and living from the soil.
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I find myself really feeling like it's possible that maybe the greater contribution I'm going to be able to make through this next phase of my life might be as a writer writing wonderful parts for women, or even writing wonderful parts for myself, you know?
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The reason why I moved from Young Thug to Jeffery was because I felt like I did a wrong turn.
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Obama's presence opened a new field for writers, and what began as curiosity about the man himself eventually expanded into curiosity about the community he had so consciously made his home and all the old, fitfully slumbering questions he'd awakened about American identity.
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Jason Momoa became a really good friend of ours when he played Khal Drogo. We loved hanging out with Momoa, and suddenly we couldn't bring him to Belfast anymore.
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I take a grave view of the press. It is the weak slat under the bed of democracy.
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When we started out in '64, um, I was playing Number One, which was a woman second in command of a star ship.
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Because of lies, we can produce and invent a possible world.
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I've got quite a vivid imagination and I'm easily overwhelmed by sensations and things that are beautiful or scary. I don't think I've ever seen a ghost - I think I'm probably haunted by my own ghosts than real ones.
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My art originates from hallucinations only I can see. I translate the hallucinations and obsessional images that plague me into sculptures and paintings.
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I am more excited about 'Divinity of Doubt: The God Question' than any other book in my entire career, and I've had seven New York Times bestsellers, three of them reaching number one.
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Laughter is a strange response. I mean, what is it? It's a spasm of some kind! Is that always joy? It's very often discomfort. It's some sort of explosive reaction. It's very complex.
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I just play to the people I can see. So it's almost like you are playing to the first few rows of the crowd. You can see the faces of the first hundred people, but then it becomes a blur as the crowds disappear over the hill.
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I think the American people recognize that the world has shrunk. That it's interconnected. That you're not going to put that genie back in the bottle.
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New York musicians rarely have the time for idle chat and conversation after a gig. Despite popular assumption of our scintillating after-hours, that illusion is overtaken by the constant hustle to juggle a part-time or full-time job, a myriad of errands, a second or third gig of the day, and perhaps a child or two somewhere.
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Making fake biography, false history, concocting a half-imaginary existence out of the actual drama of my life is my life.
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Each natural agent works but to this end,-To render that it works on like itself.
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I think women do write politically all the time. Margaret Atwood does; Doris Lessing does.
