Lou Brock Quotes
Quotes to Explore
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Every time a young girl comes in and asks me for advice, if you start your conversation with, 'How hard is it as a black woman,' or, 'How hard is it as a woman,' I turn you around. Because I cannot - we cannot look at the roadblocks and see the road at the same time.
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I worked with Lukas Haas a long time ago, when he was younger, and he was wonderful.
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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Even where friendship is concerned, it takes me a long time to trust people.
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Any time you make more than a couple of friends at an event, I think that you actually made no friends.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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I'm bad at returning phone calls.
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I try to take the time to appreciate and I certainly do appreciate and I do feel proud but that is probably one of the things I need to work on, building a bit of time for myself.
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I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.
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Once I have children, the kids come first. One thing at a time for me.
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One of the things about my ministry is that I have never branded myself as being above the people or superior to people.
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My favorite book in life is 'A Wrinkle In Time,' which I read before high school. It was my first introduction into the meeting of science and spirit and the universe and big thoughts and all of those interesting New Age-y concepts. It made everything make sense to me and opened up my mind.
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I first came on the scene during the Johnson years and that crowd was out all the time enjoying themselves. Nixon wasn't particularly social but a lot of the people in his administration were.
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I'm like, 'Why aren't artists owning their masters? Why are labels robbing artists dry, and they have to spend all this time on tour to even break even?' Like, what happened? Why are they promoting things that aren't either socially conscious or elevating the human consciousness?
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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The thing that intrigued me about 'Breaking Bad' from day one was the idea of taking a character and transforming him.
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I think as a child you know when it's time for your parents to split. You realise they love each other, but they're not in love with each other. And I think as a child it's much better for your parents to split than for them to stay and have dysfunction within the family.
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It took me a long time not to judge myself through someone else's eyes.
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The law serves of nought else in these days but for to do wrong, for nothing is spread almost but false matters by color of the law for reward, dread and favor and so no remedy is had in the Court of Equity in any way.
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It's an old adage that the way to be safe is never to be secure... Each one of us requires the spur of insecurity to force us to do our best.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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When you're younger and traveling and visiting new countries and cities, that stuff is exciting; it's flashy, it's shiny, but I always had this separation between who I was as a person and who I was as a player.
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Chicanos and running water are endlessly fascinating. I can watch them all day.
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Show me a guy who's afraid to look bad, and I'll show you a guy you can beat every time.
