Louis Leterrier Quotes
Even though I studied in New York and I know the American system, I come from France where I learned that with movies in France where the director is king. There's no such thing as a studio edit. It's the director's cut, period.
Quotes to Explore
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We think of writing a book as a process, but the very word - process - suggests that there is one: a template to follow, a map to guide us. If that were true, someone would have surely figured out some marketable method we could all buy.
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I work hard at my job, and I guess hard work pays off.
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Be present. Be meditative. Form real friendships. Stay away from business networking events or friendships where there is always an underlying business angle.
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Shareholders need to have a real interest in the companies they own. Too many are simply too busy - they are asleep at the wheel.
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I have a physical background. It's not like I'm a kung fu master, but my real training was dance school, and through that, I move to this thing called Capruera that I used in 'Ocean's 12.' I can pretend that I can do a lot of things, but then, I don't really master anything.
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The difference between a violin and a viola is that a viola burns longer.
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The first time I thought I should be an actor was in school. I thought, 'At least this is something for which I won't have to study.' But I've realised that an actor needs to be constantly unsure about what he's doing and about what's going on around him. The moment you think you've nailed it, you're dead.
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If England became a world power, it was because of the industrial revolution.
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In those days, even as a boy, I watched some people that I knew were living way beyond their means.
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When I read the 'Country Strong' script, I thought, 'Can't they just hand-double it? Can't I just do the rest of the movie and not have to do the performing?' It took me six months to learn to sing and play guitar at the same time.
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Every historian with professional standards speaks or writes what he believes to be true.
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Beauty is the promise of happiness.
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Around 14, I was turned on to Shania, Reba, Merle Haggard, Garth Brooks, Trisha Yearwood... and I've followed it ever since.
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My reading and drawing drew me away from the ordinary interests, and I lived a great deal in the world of imagination, feeding upon any book that fell into my hands. When I had got hold of a really thick book like Hugo's 'Les Miserables,' I was happy and would go off into a corner to devour it.
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I hate to repeat lines, to say the same damned thing. I try to rewrite cliches and make what I say sound fresh.
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Imam Rauf and his backers have every legal right to build their extravagant Islamic center within the lethal radius of Ground Zero. But the rest of us have the right to question why they insist on doing so.
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My parents are high school sweethearts.
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All my life, I have been surrounded by the track. The week I was born, Dad took me to training. I do recall at some stage being pushed around in a pram on a track. I have a lot of inspiration from him. To see him carrying the Sydney Olympic torch really ignited my dream. As a coach, he knows the in and outs of race walking and technique.
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On any play where there's a scramble of 22 men, blindside hits and unprotected hits on knees occur.
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I don't go on lunch dates with friends. I hear about people having dinner parties, but I never do that. I'm not really human.
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I had no expectations of white people at all.
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I had to learn how to chop wood actually - I don't think my dad would have let me go chop wood in the backyard growing up.
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You learn at a certain point that you have to focus on the business side of music. After getting ripped off a couple of times, you figure out that you need to get a grip on it.
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Even though I studied in New York and I know the American system, I come from France where I learned that with movies in France where the director is king. There's no such thing as a studio edit. It's the director's cut, period.
