Louise Erdrich Quotes
Quotes to Explore
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I don't have Gandalf the White's certainty about everything.
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You should never say 'D'Brickashaw' and 'bust' in the same sentence. You should never even think that. It should be D'Brickashaw, Pro Bowl, D'Brickashaw, Jets, Super Bowl.
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I once tried standing up on my toes to see far out in the distance, but I found that I could see much farther by climbing to a high place.
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We don't need bigger government. We need to shrink the size of government.
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I don't know who Little Richard is.
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The Democratic Party is the party of the status quo.
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My music, I feel, has always been experimental, but it had got to a point where I felt disconnected from it completely. I didn't want to be a Clark Kent/Superman: I couldn't really say, 'Well, B.o.B's the old me, and Bobby Ray's the new me.' I had to just make a point.
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The real problem is not why some pious, humble, believing people suffer, but why some do not.
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Even if your novel occurs in an unfamiliar setting in which all the customs and surroundings will seem strange to your reader, it's still better to start with action. The reason for this is simple. If the reader wanted an explanation of milieu, he would read nonfiction. He doesn't want information. He wants a story.
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I like to smile. I smile even when I'm nervous since it calms me down and shows my friendliness.
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You make your mistakes to learn how to get to the good stuff.
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I'm attempting to put myself in a bottle that will one day wash up on the beach for my children.
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After I lost my fiance, it seemed like it would be better to always be alone than to risk being hurt again.
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I like to do my own make-up.
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I am not suggesting that just by taking the Metro, I will save billions. But I hope others will follow.
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I live for the text. It's my job.
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I walked in thinking, 'I have ten movies under my belt and now they want me to go back to making commercials?' I said, if I do that, I want it to be funny.
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I probably spend the most time with Toews: we have the same schedule, and we're roomies on the road; we sit next to each other. We do a lot of promotions together.
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If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
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Every relationship is fundamentally a power struggle, and the individual in power is whoever likes the other person less.
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In a couple of years I think it [sequel to What We Do] will come out as a script and we'll shoot that. Or maybe it will just come out as some t-shirts.
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Power travels in the bloodlines, handed out before birth.
