Louise L. Hay Quotes
We choose our sex, our color, our country, and then we look around for the particular set of parents who will mirror the pattern we are bringing in to work on in this lifetime.
Quotes to Explore
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Timidity does not inspire bold acts.
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I find that men are far more vain than women.
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Had the price of looking been blindness, I would have looked.
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I need a hobby, and I don't want it to be basketball. I want it to be music. So to get away from music, I do other music.
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It is absolutely critical for competitiveness in the United States for us to really raise the bar in education, especially in math, in science, in technology.
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Somebody gets to be smart and somebody gets to be dumb. If we win, it'll be because of the president. And if we lose, it'll be because of me.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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The more we learn about life, the less plausible is any evolutionary theory that relies on blind, undirected, piece-by-piece change.
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You have your identity when you find out, not what you can keep your mind on, but what you can't keep your mind off.
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I want to be the best version of myself - intellectually, emotionally, and physically. So I like to wear clothes that I feel comfortable in, that reflect that.
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No citizen is a second class citizen in the city of Chicago. If my children are treated one way, every child is treated the same way.
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I love listening to pop radio.
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If you compare me to an actor, I'm probably one of the best boxers in the profession. But if you compare me as a boxer, I'm probably one of the best actors.
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I pick up the details that drive the organization insane. But sweating the details is more important than anything else.
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I was the family alien. Both my parents are quite creative, but I was... appalling... always putting on little shows. I was rather a shy child, not a natural performer, but there was a performative edge to everything I did.
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Publishing for me is a business, not an ideology.
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If people think I look good, it's the make-up.
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My way of expression is full of complications and mystery because that's my perception of life.
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I'm portable. I carry a laptop and a little recording studio on my back.
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We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
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It is not me who is to be noticed. It is my work.
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Never, in all my early childhood, did anyone address to me the affecting preamble: 'Once upon a time!' ... I can but think that my parents were in error thus to exclude the imaginary from my outlook upon facts. They desired to make me truthful; the tendency was to make me positive and sceptical. Had they wrapped me in the soft folds of supernatural fancy, my mind might have been longer content to follow their traditions in an unquestioning spirit.
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We choose our sex, our color, our country, and then we look around for the particular set of parents who will mirror the pattern we are bringing in to work on in this lifetime.
