Abby Elliott Quotes
There are some different things I'm writing and developing, but I don't know where they'll go. They're fun stuff that I would be in and are written in my voice, for me.
Quotes to Explore
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Yes, all fundamentalists feel that in a secular society, God has been relegated to the margin, to the periphery and they are all in different ways seeking to drag him out of that peripheral position, back to center stage.
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The records that I grew up listening to had feel, and the drummers that inspired me - like Stewart Copeland, Neil Peart, Phil Collins and Roger Taylor - all had their own voice and individual style.
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I'm not sure specifically but there's definitely parts of me in Rikku.
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
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I think there is some credibility to the notion that marriage is an institution. It meant something very different hundreds of years ago when it became the norm for people to go off and pair.
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I like to put a stake in people, because I know people helped me.
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The most memorable engagement for me, I suppose, was an away-day to Leicester. I went without William, so I was rather apprehensive about that.
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The laws of God, the laws of man he may keep that will and can; not I: let God and man decree laws for themselves and not for me.
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I feel like my kind of music is a big pot of different spices. It's a soup with all kinds of ingredients in it.
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I'm in this band to give volume to various struggles throughout the world. To me, the tension in this band is a minimal sacrifice.
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Anybody who dedicates himself to exploring the human condition, there's always a detached eye that's watching. In any situation, a little part of me is observing it, to see if there are any raw materials to create something else later.
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I like writing flawed women, and being one, it's something I feel I can write with some veracity and authority.
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When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
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Out of all the clubs who were interested, I got the feeling that, deep down, Chelsea showed that they really wanted me. There were lots of reasons I came to Chelsea. They showed a real desire to get me to come here. I didn't have to think about it too much.
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Even in my darkest times I knew I had a good future ahead of me.
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It wasn't until I let go of the idea of the brass ring that it showed up, and fortunately for me, it coincided with getting clean.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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I am an open-minded person, so I would happily collaborate with other artists who share the same passion for music, regardless of the genre. I do consider that great things could also come from unexpected collaborations between people who have different cultural and musical backgrounds.
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Sometimes when I look in the mirror, I see a child, then I look and see a woman who should be turning 60.
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I owe Mr. Bergman so much.
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When you have 13 horns, and one is soloing, you have 12 people to play the richest, fullest chord you could ever imagine behind that solo.
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I love fashion. I think it's so important, because it's how you show yourself to the world.
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There are some different things I'm writing and developing, but I don't know where they'll go. They're fun stuff that I would be in and are written in my voice, for me.
