Louise Wilson Quotes
You can't refuse to move forward when you're educating in design, because that's what we're asking students to do the whole time.
Quotes to Explore
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I developed a mania for Fitzgerald - by the time I'd graduated from high school I'd read everything he'd written. I started with 'The Great Gatsby' and moved on to 'Tender Is the Night,' which just swept me away. Then I read 'This Side of Paradise,' his novel about Princeton - I literally slept with that book under my pillow for two years.
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Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
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I actually spend very little time listening to any new music.
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We want to be on the edge of technology all of the time. We think long-term.
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Most Arab Israelis speak Hebrew, but not the other way around. It's about time that changed.
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Julia Child wasn't afraid to have fun. She made fantastic food but knew how to have a good time and not be too stuck up about the kitchen space.
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I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.
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I wanted to have more time to play and reflect, but I find retirement more stressful than having a nice, steady job because I have to make decisions about where I want to be.
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The nineteenth century, especially the second half of it, was a time of restatement in Ireland. After the famine, after the failed rebellions of the Forties and Sixties, the cultural and political desires for self-determination began to shape each other in a series of riffs on independence and identity.
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We don't spend so much time on the opponent that we forget it's really about us.
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I cook mostly vegetarian vegetable and bean stews. Quinoa salads. I make my mother-in-law's recipe for chicken and barley stew all the time.
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But sadly, one of the problems with being on public radio is that people tend to think you're being sincere all the time.
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A thing is mighty big when time and distance cannot shrink it.
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Companies are always being bought and sold. The markets are always moving; you have to be on top of your position. And in the U.S., the market is never closed for more than three days. The only time the market was ever closed was 9/11. I think it may have been closed the whole week.
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I had spent time in New York, where I loved the idea that theater could be done up in tiny little rooms rather than for lots of money on a big stage, and be tied to ordinary life.
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I think as a child you know when it's time for your parents to split. You realise they love each other, but they're not in love with each other. And I think as a child it's much better for your parents to split than for them to stay and have dysfunction within the family.
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'The Stand' came out in May of '94 and was seen by 60 million people a night for four nights, and then two months later, 'Forrest Gump' opened. So within a very short time, I went from being depressed about not getting any work to being in two of the most popular shows of the year.
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I got behind that pencil and nothing happened for many years, but since they put me in the Songwriters Hall of Fame, I've turned around. I took a good look at myself and said, I think it's time to get back at work.
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The way the recession has affected Hollywood, a lot of actors that had robust opportunities before in film no longer have such plum options, so cable has done a good job of becoming a happy medium for artists deemed film actors.
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I've never once heard my mom complain about her stroke.
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People in power make the path to power. It means that we will always get the same system, and it's one that is not necessarily in the interest of people's lives.
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Nothing in life is as good as the marriage of true minds between man and woman. As good? It is life itself.
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My Real Children starts quietly, then suddenly takes you on two roller-coaster rides at once, swooping dizzily through a double panorama and ending in a sort of super Sophie's Choice. A daring tour de force.
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You can't refuse to move forward when you're educating in design, because that's what we're asking students to do the whole time.
