Louise Wilson Quotes
Quotes to Explore
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I search for surprise in my architecture. A work of art should cause the emotion of newness.
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The first thing I look at is, 'Is the entrepreneur going after really big problems, to the extent that it feels scary when they talk about it?' You wonder if the idea is possible. I have seen that a lot of times, people go after small problems, and that's a sign that they are not confident.
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I freakin' hate Twitter, man. I honestly don't understand the purpose of it.
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In traditional societies, we have a long legacy of men controlling the body and mind of women. Such societies have valorised motherhood and fabricated concepts like chastity. Women have been the victims of these notions for thousands of years.
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Bitcoin has so much potential, and that's why the believers are trying to facilitate its use as a currency, so people use to buy things and spread it around more.
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I don't know where Hank Aaron will break Ruth's record but I can tell you one thing - ten years from the day he hits it three million people will say they were there.
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Don't depend on other people to be responsible for you. Don't make yourself stressed out over nonsensical things like material things.
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I played violin and got into that Suzuki program in the second grade.
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If you want to learn about America, watch 'The Wire.' It's a profound piece of entertainment.
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American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up.
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Love is like the measles. The older you get it, the worse the attack.
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After 'A Suitable Boy,' I didn't write anything, not even a short story. I thought to myself: 'I ought to start writing.' But I can never force myself to write.
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It takes people a while to trust you.
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There is too much employer-employee relationship in America. I wish the musicians would feel that many decisions have to do with them and not delegate everything to management or to the board or to the committee. This is why you get a sense of pride in some of the European orchestras: because they are part of the decision-making.
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When you're actually making the film, you're constantly battling to maintain its integrity.
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I didn't grow up with a mother, so I don't have that resource to rely on and ask a million questions.
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You need a great idea, but then you've got to carry it through. If you get it right, you're going to be a critical success. But not everyone who works hard gets it right, or has the success they deserve: there's an element of luck.
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A film set is the most comfortable place I could be in the world; that's what I know.
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Creatively, I've always wanted to be different as it relates to my craft, and reggae, being a part of my culture, makes up a percentage of that uniqueness. The only definition I can think of to describe my style is 'OMI.'
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I love to watch times change!
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One of the striking things about doing research on Malcolm X, and I believe that most Malcolm X researchers could tell you their own stories, is that there's this paradox of the absence of critical information.
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Things that excite me are these four different bands: Wire, with a song called 'Champs,' Misfits, with a song called 'Hybrid Moments,' R. Stevie Moore, and Wipers 'Wait A Minute.'
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Fashion has always been a repetition of ideas, but what makes it new is the way you put it together.
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I may sound like a corny bastard, but I love fashion.
