Bette Davis Quotes
I have eyes like a bullfrog, a neck like an ostrich and long, limp hair. You just have to be good to survive with that equipment.
Quotes to Explore
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New York is one of the greatest cities in the world. It is a fitting host to its many international visitors, who can come to witness first-hand what a vibrant multicultural democracy looks like.
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You don't always make an out. Sometimes the pitcher gets you out.
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We talk about feelings. And about sex. And about bodies, and their gratification, violation, repair, decoration, deferred, maybe permanently deferred, mortality. Feelings are a bodily thing, and respecting them is called, is, kindness.
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In college, my idea of a productive day was to start writing at 7 A.M. and not leave my chair until dinnertime.
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It's understandable why TV hasn't been diverse because a lot of TV writers are white dudes from Harvard. And white dudes from Harvard aren't going to immediately want to write about trans issues. They're not immediately going to want to write about a Filipino family.
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The kind of cynical politics of divide and conquer, that's shameful stuff, and I don't know - people live their life like that, but I don't know how they look back and feel good about themselves.
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Despite overwhelming support for the United States to adopt English as its official language, we have still not taken that important step.
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Everyone around me was super-cool and laid back and skinny and tan and volleyball-y, and I was just this neurotic kid who was singing 'Annie Get Your Gun.'
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To my child's eyes, which had seen nothing else, Shanghai was a waking dream where everything I could imagine had already been taken to its extreme.
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I do like alternative rock and rap, but as far as inspirational, then I go full-on orchestra. It fills up your entire being.
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I almost bought a DeLorean the other day just because. If I see something that I think is cool and I like it, I'll go for it.
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I used to get 2000 as pocket money, and I was being offered a car and an opportunity to make lakhs, so I said a yes. I was a kid and got homesick over my 40-day schedule in Bangalore and decided that I would only do films in the South if they were 10-day roles.
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Looking back, it puzzles me that my parents decided to stay in Shanghai when they must have known that war was imminent. But the cotton works were my father's responsibility, and duty then counted for something.
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It wasn't easy getting 'GoodFellas' started.
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There is always something infinitely mean about other people's tragedies.
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Men are mortal. So are ideas. An idea needs propagation as much as a plant needs watering. Otherwise both will wither and die.
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When I was 12, I went to boarding school, where I discovered the computer, which meant I no longer had to write something down and get someone to play it, I could just type it into the computer and hear it back.
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The whole idea of 'Death Line' was to kind of highlight class distinctions in England more than to make a scary movie, and I just kind of wrapped my political treatise of the class distinctions in England in this movie.
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The relationship between critic and writer is similar to the one between the pigeon and the statue.
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If there's ever a vote for single-payer, I'm a 'yes.' But there are lots of things we can do in the meantime.
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Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance.
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Flannel shirts, denim, Converse, a guitar, messy hair? That's literally me.
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Actors have to stay ready and be ready. They need to adjust things in their life, whether it be hair, teeth, take the time to do that.
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I have eyes like a bullfrog, a neck like an ostrich and long, limp hair. You just have to be good to survive with that equipment.
