Lucien Bourjeily Quotes
Theatre has so many competitors, it's no longer enough to see and hear a play. You want to be able to touch and smell it, too.
Quotes to Explore
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I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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Tokyo in the late 1960s seemed to be like one of the futures that science fiction presents. Here was the proto- super-technology of the future, electronically, robotically, blahblahblah, intercut with traditional Japanese cultural patterns, Shinto patterns.
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It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
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I used to be one of the lead actors of a theatre group called Hetu when I was in medical school. Prithvi Theatre was our stomping ground. I'd got many positive reviews.
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I think the paparazzi is a necessary evil... and if ya don't like it, and ya don't want to do this, go to Iowa and do some community theatre. It's all about self-promotion, and it's not always the fun part of it.
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I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
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I have done theatre, and I enjoy the process of smaller films a lot more. When I do such films, there are certain things which I get to do which are untapped. The scenes give me the liberty to play and mould the character in accordance to the director's mindset.
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I did theatre all my life and then went into the film world. I then kind of segued into TV land, which is a different experience.
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I grew up in a very small town and didn't realise till later that I had an adventurous side. When I went to theatre school at 18, I came into my own and let loose.
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I was always interested in the arts as a child - drawing, painting, and piano - but acting became a favourite. I was a major theatre geek in high school - if I wasn't in the drama room at lunch rehearsing, I'd be in the art room finishing up some type of project.
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I like the ephemeral thing about theatre, every performance is like a ghost - it's there and then it's gone.
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People imagine that actors are being offered everything and you are not. So things come in and sometimes there are things that I want and can't get a meeting on, or go to a different actors.
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I went to Paris for a year in 1986 to study theatre; there was a lot of clowning around, buffoonery and fencing. It was then that my own style kind of blossomed.
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I want to do theatre and film and direct my own things and develop.
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I'm never going to stop making theatre, but I don't think I'll make it as much, because I don't need to. There are other things I want to do with my life. I want to sit by the sea in Yorkshire and eat Eccles cakes and spend time with my family.
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If you want to make someone feel emotion, you have to make them let go. Listening to something is an act of surrender.
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We take better care of the maintenance of our cars than we take care of the maintenance of our bodies.
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It doesn't matter who you are, or where you come from, or how much money you've got in your pocket. You have your own destiny and your own life ahead of you.
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Theatre has so many competitors, it's no longer enough to see and hear a play. You want to be able to touch and smell it, too.
