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If one limits to developing only the kitchen and bathroom as standardized rooms because of their installation, and then also decides to arrange the remaining living area with movable walls, I believe that any justified living requirements can be met.
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Architecture is the will of an epoch translated into space. Living, Changing, New. Not yesterday, not tomorrow, only today can be given form. Only such architecture is creative.
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No design is possible until the materials with which you design are completely understood
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We should attempt to bring nature, houses, and human beings together in a higher unity.
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It is no use working with other architects. What can they do? Who does what?
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Architecture is the real battleground of the spirit.
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Architecture is the will of the age conceived in spatial terms.
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Each material has its specific characteristics which we must understand if we want to use it. This is no less true of steel and concrete.
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Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
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If teaching has any purpose, it is to implant true insight and responsibility. Education must lead us from irresponsible opinion to true responsible judgement. It must lead us from chance and arbitrariness to rational clarity and intellectual order.
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I do not oppose form, but only form as a goal.
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Architecture is the will of an epoch translated into space.
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You cannot save wonderful towns. You can only save wonderful towns by building new ones.
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Wherever technology reaches its real fulfillment, it transcends into architecture.
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In addition to the wishes of the client, the position, orientation, and size of the plot also play an important role in determining the final plan of the house. The 'where' and 'how' of the exterior then follows naturally from all of that.
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It is a hopeless endeavor to make the form and content of earlier architectural epochs usable for our time; in this, even the strongest artistic talent must fail. We see repeatedly how the outstanding builders fail to achieve an effect because their work does not serve the will of the age.
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I do not think it is an advantage to build planned packaged houses. If you prefabricate a house completely, it becomes an unnecessary restriction.
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We refuse to recognize problems of form, but only problems of building. Form is not the aim of our work, but only the result. Form, by itself, does not exist. Form as an aim is formalism; and that we reject.
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We must be as familiar with the functions of our building as with our materials. We must learn what a building can be, what it should be, and also what it must not be.
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Most of our designs are developed long before there is a practical possibility of carrying them out. I do that on purpose and have done it all my life. I do it when I am interested in something.
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I really don't know the Chicago School. You see, I never walk. I always take taxis back and forth to work. I rarely see the city.
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The individual is losing significance; his destiny is no longer what interests us.
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It is not architectural achievement that makes the structures of earlier times seem to us so full of significance but the circumstance that antique temples, Roman basilicas, and even the cathedrals of the Middle Ages are not the works of single personalities but creations of entire epochs.
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The tendency of our time is wholly oriented toward the secular. The efforts of the mystics will remain episodes. Despite a deepening of our conceptions of life, we will build no cathedrals.