Ludwig Mies van der Rohe Quotes
We refuse to recognize problems of form, but only problems of building. Form is not the aim of our work, but only the result. Form, by itself, does not exist. Form as an aim is formalism; and that we reject.
Quotes to Explore
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Oh wow, you know what's wrong with all these families on TV? All these kids say stuff no kid would say. Stuff grown-ups want them to say. Man, I'd make a really realistic family. Where kids get spankings. On TV parents say, 'Oh, you shouldn't do that ever again. Now you can have ice cream.' Forget it.
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Our children will outwit us if they want; for when it comes to technology, they hold the higher ground. Unlike other tools passed carefully and ceremonially from one generation to the next - the sharp scissors, the car keys - this is one they understand better than we do.
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I converse with my dog through ESP.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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I feel like the reason people feel like they know me is because I'm giving you myself in the music. There's where the connection comes from; you can't Twitter that.
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I don't just say I'm conservative. I have boot leather to my gospel.
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I've said it before, and I'll say it again. I've written 29 damn plays. Isn't that enough?
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As a unique person, I was bullied badly as a teen.
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I was in the invasion of Normandy in southern France.
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Well, one of my favorite ones to work on - besides just about any scene from 'Deadwood' - was my scene with Brad Pitt in 'Assassination of Jesse James'. That was just a fun day.
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It's very important that every movie I do makes money because I want the people that had the faith in me to get their money back.
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What I love is dropping into someone else's life and exploring it.
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One Direction is the main thing I'm doing and I'm 100 per cent dedicated to the group.
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Sydney's beautiful, the weather's great, and the air's fresh and clean, but it doesn't have the scene and the amount of likeminded people. At home, things are very comfortable, but I feel like putting myself out there a bit.
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I'm here today because I hated everything else.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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I'm not one of those people that wears something once and tosses it aside. I wear my shoes until they beg to be thrown away. Parting is such sweet sorrow - and then it's onto the next pair.
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I can't touch Simon anymore.
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I feel like 'Work' was a really good song for people to get to know me, as it's obviously biographical. With 'Bounce,' I wanted to make sure people know there's a fun side to me as well as the somber and serious one.
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'Job Killer.' Those are the two words you are most likely to hear uttered by most American CEOs when confronted with proposals to enact family-friendly work policies.
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'Smurfs' just seemed like a great way to represent a young father to be, guy in a marriage, work in conflict, and I was really interested in the technical CG side of things. I'd never done a movie that I thought would be so physical and yet so precise. So I was intrigued by all of that.
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A clone of Einstein wouldn't be stupid, but he wouldn't necessarily be any genius, either.
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One of my dreams is to walk down the runway during Fashion Week!
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We refuse to recognize problems of form, but only problems of building. Form is not the aim of our work, but only the result. Form, by itself, does not exist. Form as an aim is formalism; and that we reject.
