Ludwig Mies van der Rohe Quotes
No design is possible until the materials with which you design are completely understood
Quotes to Explore
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As I moved to less and less diverse places in my life, I realized that white people don't talk about race amongst themselves!
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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I believe journalism or news will migrate to the online medium.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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I have lots of passions - gardens, art, music and reading. I have eclectic taste and read a huge variety of books.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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Dance connects us to the musicality of life and to one another. No one should be denied such basic pleasures.
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Anything worth doing good takes a little chaos.
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I considered myself very lucky after 'Baghdad Cafe,' and I have 'The Shield.' In every genre, I've kicked butt at some point. I'm real happy.
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One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.
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I came from a dance background, so that's what I did my whole teenage years. I was at the dance studio a lot. It just becomes your social scene and part of your life.
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People win Oscars, and then it seems like they fall off the planet. And that's partly because a huge expectation walks in the room and sits right down on top of your head. The moment I won the Oscar, I felt the teardown the very next day.
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I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.
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I have good spacial awareness, and I'm pretty comfortable with a sword.
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I would rather not have contentious interviews. I'd rather do 30 minutes with Charlie Rose, laid back in a La-Z-Boy chair.
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The sum of wisdom is that time is never lost that is devoted to work.
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We want to take a decision that is part of a solution, not part of a problem, and therefore it has to be well explained and understood by everybody.
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Everything that I do has a certain mechanical logic to it, and follows my definition of design - which is function with cultural content.
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Seattle is still more Caucasian than most medium-sized cities. The sort of psychosexual politics of white fandom in context of black athletes who are also both very rich and slightly angry is just, to me, bottomlessly fascinating.
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One radical free spirit nonconformist is pretty much like another.
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No design is possible until the materials with which you design are completely understood
