Luis Alberto Urrea Quotes
When I was doing missionary work when I was younger, which started this obsession of mine with the literature of witness, I was a translator for a missionary group, and I spent years in a Tijuana dump. People were really thrown by the fact that the Mexican poor, many of them pureblood indigenous people, seemed happy.
Quotes to Explore
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I'm not in the K-1 tournament. We thought about it but they really don't want me as they feel I might get hurt so that's fine with me but I do see a lot of guys out there that I feel I can take.
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What is politics? Political system is equal to development politics plus political politics.
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It angers me when sustainability gets used as a buzz word. For 90 percent of the world, sustainability is a matter of survival.
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My dream role is Jack Johnson, the first black heavyweight champion.
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I'm here today because I hated everything else.
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I put on whatever is comfortable on me. Suit, jeans and tee as long as it's comfortable. It doesn't matter what brand. If it looks good I buy it.
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I like to keep fit, but I never lift very heavy weights.
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We're all idealistic when young.
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Um, well, I made a new CD called 'Dream With Me' and it's out now, and I'm really excited about it.
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Generally, I find a lot to be grateful for.
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I've found that you don't need to wear a necktie if you can hit.
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When I was seventeen, I worked as a counsellor at a co-ed sleep-away camp for eight weeks. I loved it but it could be harrowing - it was far too much responsibility for someone my age.
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It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
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The soldier who gropes for glory must submit himself to discipline. Subordination gives strength and security to an army. He that will not submit to it when corrected and improved by the experience of ages does not deserve the proud appellation of a soldier.
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Treasure the love you receive above all. It will survive long after your good health has vanished.
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Touring is an incredibly isolated situation. I don't know how people tour for years on end. You find a lot of people who can't stop touring, and it's because they don't know how to come back into life. It's sort of unreal.
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I'm obsessed with those old romance films. I also would love to venture into the silent film world. I think that's extremely compelling and interesting and really relies on the acting, even more so than when you have an actor speaking.
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The public saw my father right out of central casting. He looked the part, acted the part... he was the part! The real life Godfather.
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It just annoyed me that people got so into the Beatles. 'Beatles, Beatles, Beatles.' It's not that I don't like talking about them. I've never stopped talking about them. It's 'Beatles this, Beatles that, Beatles, Beatles, Beatles, Beatles.' Then in the end, it's like 'Oh, sod off with the Beatles,' you know?
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I've never been conscious of having any real career plan, and I do not have a wish-list of actors, directors, screenwriters, or cameramen I'm hoping to work with. Life, I feel, has a way of leading us to the right situations and people, or at least to interesting ones.
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I thought my dad was a scientist when I was young. Seriously. Because people would come up to me, and they would be like, 'Your dad is the smartest person that I've ever met.' And I was so young, so I'd be like, 'Well he just put me on a time out, so I don't agree.'
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If you sell the film rights to your book, it doesn't mean there will be a film. I have sold the rights to five books and had zero films made. Take the money and be thankful.
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Some people today claim that cultures rooted in oral tradition are far more careful to make certain that traditions that are told and retold are not changed significantly. This turns out to be a modern myth, however. Anthropologists who have studied oral cultures show that just the opposite is the case. Only literary cultures have a concern for exact replication of the facts “as they really are.” And this is because in literary cultures, it is possible to check the sources to see whether someone has changed a story. In oral cultures, it is widely expected that stories will indeed change—they change anytime a storyteller is telling a story in a new context. New contexts require new ways of telling stories. Thus, oral cultures historically have seen no problem with altering accounts as they were told and retold.
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When I was doing missionary work when I was younger, which started this obsession of mine with the literature of witness, I was a translator for a missionary group, and I spent years in a Tijuana dump. People were really thrown by the fact that the Mexican poor, many of them pureblood indigenous people, seemed happy.
