Anne Morrow Lindbergh Quotes
One can never pay in gratitude; one can only pay 'in kind' somewhere else in life.
Quotes to Explore
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I haven't done Vine in a long time, and when I first started, I just did stuff that I thought was funny.
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I clearly believe a lot more than some of my coalition colleagues - Tories - in redistribution and using the tax system for that purpose. I also believe in the government having an active role in the economy, which is having an industrial strategy. I'm not a believer in laissez-faire.
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It works both ways: there are victims of tragedy who come to me who have experienced grief of such magnitude that they cannot reconcile. Likewise, I cannot change the mentality of those who committed the crimes or the fools who followed them.
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Remember that children, marriages, and flower gardens reflect the kind of care they get.
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I'd like to imagine that in order to beat me a person would have to play almost perfect tennis.
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The most difficult story that I've ever been involved in breaking on any of my shows was 'The Constant' episode of 'Lost,' which was when Desmond was consciousness-traveling.
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The really wonderful thing that happened to me when I was in space was this feeling of belonging to the entire universe.
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The more walking-around money I have, the less I walk around.
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I think that we should be eternally vigilant against attempts to check the expression of opinions that we loathe and believe to be fraught with death, unless they so imminently threaten immediate interference with the lawful and pressing purposes of the law that an immediate check is required to save the country.
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The groundhogs are pretty good at eluding. If somebody is trying to come after a ground hog, they go and they burrow.
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I want to reach the heights of stardom beyond my imagination.
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Being an actress can be a little like being a girl in the '50s: You're stuck waiting by the phone, hoping that the boy you like will call.
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When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.
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I'm the sort of person that doesn't really have specific 'inspiration.' It probably comes more from my doubts and my desires.
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I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.
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I've had loss in my life, and I like to think my mother's energy lives on in some faintly Buddhist way. I do find some comfort there.
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The taste of any simple tomato-based salad is dependent on the quality of the tomatoes.
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While technology empowers us to remain connected all the time, it's up to us as people to decide when is it not appropriate to be connected... to opt out when you need to.
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I wanted to be a painter when I was a kid. And then, I had to make a living. I had a child when I was in high school, so I kind of had that work phase in my life.
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I did not understand the differences between Catholic and Protestant until I was an adult.
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Opera is everything rolled into one - music, theater, the dance, color and voices and theatrical illusions.
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I want to get out there and do anything, but I still don't know about riding roller coasters. I've never been on one. There is something about being strapped in and on a track; I always feel like we're going to be launched off somewhere.
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There is the cult of the actor and of the director, and there's even been the cult of the celebrity chef and gardener, but there has never been a cult of the screenwriter. But I'm happy about that because what I crave - in a completely venal way - is creative opportunities, not recognition.
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One can never pay in gratitude; one can only pay 'in kind' somewhere else in life.
