Anne Morrow Lindbergh Quotes
Quotes to Explore
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I got a New York designer to build my dream store here, which is a little bit of Florence in New York. It's like the Duomo on Madison. I got inspired by Santa Maria Novella and all the Renaissance architecture.
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Scratch a Yale man with both hands and you'll be lucky to find a coast-guard. Usually you find nothing at all.
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Every morning I wake up and thank God.
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In the experience of art, time seems not to exist.
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But as a young kid, I never did, really have an ambition to be a farmer. I never thought, gee, I would like to farm, and I want to raise these crops. I didn't quite know what I wanted to do.
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If I go out there and am myself, and I do what makes me comfortable and what I think is true to my artistry, and they don't like it, then that's fine. I walk off stage, and I know there's nothing there's nothing I could have done differently.
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I've been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too - what I should wear.
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As you get older, you get different, and I'm a mushier, softer person as I get older.
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I went to church when I was younger, but it was never something pushed down my throat or anything, which is a good thing. I found out for myself where I belonged.
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Like its Senate counterpart, H.R. 1908 is the product of years of bipartisan collaboration. And now, by passing S. 1145, the U.S. Senate has a similar opportunity to restore our patent regime to its rightful position of protecting inventors' property rights and spurring innovation. These are values that all Americans should rally behind.
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All happiness or unhappiness solely depends upon the quality of the object to which we are attached by love.
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I stayed in the ghetto. Then I stayed in condos, then I stayed in penthouses, and then I stayed in mansions.
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In many countries in the Middle East - and this is changing in the wake of the Arab Spring - but for a long time, censorship of books and film was a very big deal. There were books you couldn't buy; things with political content would be censored, but there were some genres of books and film that the censors just didn't understand.
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I'm actually a big fan of having all the different types of voices on television. I think it gives people a nice little buffet that they can just pick and choose how they want to get their news and entertainment, I guess.
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I didn't know that I could do a talk show. I didn't know that we could bring variety to daytime. I didn't know that people wanted to see singing, and dancing and comedy in the morning.
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If you say John Smith is the greatest wrestler in Oklahoma history, now that's big.
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We're all so mauled by information, but it's recycled information. We need to shut it out. So, you've got to get bizarre. This is an artist's purpose - to break away from the recycled. Performance art can do that.
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At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival.
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A chicken grows up in a little less time than an ostrich. An ostrich takes a whole year. A chicken takes a few months.
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But if the young are never tired of erring in conduct, neither are the older in erring of judgment.
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I feel it's my responsibility to turn people on to great music.
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Newspapers. . . give us the bald, sordid, disgusting facts of life. They chronicle, with degrading avidity, the sins of the second-rate, and with the conscientiousness of the illiterate give us accurate and prosaic details. . .
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Life itself is always pulling you away from the understanding of life.
