Anne Tyler Quotes
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I just want to be told a story, and I want to believe I'm living that story, and I don't give a thought to influences or method or any other writerly concerns.
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Time, in general, has always been a central obsession of mine - what it does to people, how it can constitute a plot all on its own. So naturally, I am interested in old age.
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I forget a book as soon as I finish writing it, which is not always a good thing.
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I've always thought a hotel ought to offer optional small animals. I mean a cat to sleep on your bed at night, or a dog of some kind to act pleased when you come in. You ever notice how a hotel room feels so lifeless?
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My writing day has grown shorter as I've aged, although it seems to produce the same number of pages.
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It seems to me that since I've had children, I've grown richer and deeper. They may have slowed down my writing for a while, but when I did write, I had more of a self to speak from.
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My family can always tell when I'm well into a novel because the meals get very crummy.
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For me, writing something down was the only road out.
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I expect that any day now, I will have said all I have to say; I'll have used up all my characters, and then I'll be free to get on with my real life.
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I would advise any beginning writer to write the first drafts as if no one else will ever read them - without a thought about publication - and only in the last draft to consider how the work will look from the outside.
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I think it must be very hard to be one of the new young writers who are urged to put themselves forward when it may be the last thing on earth they'd be good at.
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It seems to me that good novels celebrate the mystery in ordinary life, and summing it all up in psychological terms strips the mystery away.
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I spend about a year between novels.
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I don't want to say I hear voices; well, actually I do hear voices, but I don't think it's supernatural. I think it's just that when characters are given enough texture and backbone, then lo and behold, they stand on their own.
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At most I'll spend three or four hours daily, sometimes less.
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But what I hope for from a book - either one that I write or one that I read - is transparency. I want the story to shine through. I don't want to think of the writer.
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I remember leaving the hospital - thinking, 'Wait, are they going to let me just walk off with him? I don't know beans about babies! I don't have a license to do this.' We're just amateurs.
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The hardest novel to write was Dinner at the Homesick Restaurant.
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For my own family, I would always choose the makeshift, surrogate family formed by various characters unrelated by blood.
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The Amateur Marriage grew out of the reflection that of all the opportunities to show differences in character, surely an unhappy marriage must be the richest.
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I'm too shy for personal appearances, and I've found out that anytime I talk about my writing, I can't do any writing for many weeks afterward.
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My stories are never quite good enough.
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I can never tell ahead of time which book will give me trouble - some balk every step of the way, others seem to write themselves - but certainly the mechanics of writing, finding the time and the psychic space, are easier now that my children are grown.
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She worded it a bit strongly, but I do find myself more and more struck by the differences between the sexes. To put it another way: All marriages are mixed marriages.