Luke Wilson Quotes
Quotes to Explore
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My memory of my home was that it was very happy, and that there was more fun and life there than there was anywhere else.
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Funny is an attitude.
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The greater the conceptual significance of a literary product, the more it should be assumed that it is based on an idea that determines the whole, and that the deeper consciousness of the time to which it belongs is reflected in it.
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When my lady and I sit down and watch TV, I find she gets annoyed at characters because they don't do what she would do in the situation. I'm always like, 'Well, she has to do that because that's what the story is.'
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The show I'm obsessed with watching is 'Say Yes to the Dress!' Because I love the whole makeover idea, and I'm a sap for love, of course.
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Israel can't be the only country in the Western world not to have freedom of religion.
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I'm not denying that it's exciting to have a play on Broadway.
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As long as people have been making little people, they've wanted to know how not to.
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There's no musical landscape to poetry. It has somewhat of a higher standard than songs, I think.
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Sometimes we have to take on jobs that we don't love, and I always encourage any creative person to use those as the fuel to do the things that you do love to do, even if they don't pay.
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Acting doesn't have to be threadbare misery all the time.
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I think my first thought on reaching the summit- of course, I was very, very pleased to be there, naturally - but my first thought was one of a little bit of surprise. I was a little bit surprised that here I was, Ed Hillary, on top of Mt. Everest. After all, this is the ambition of most mountaineers.
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He also didn't like a lock of my hair and said that he couldn't get into the moment without the hair being just right. I quietly knew that he was anxious and that the hairdo wasn't the real issue. But we all let it go and came back to the scene sometime later.
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There's always room to volunteer. I think that's a huge space to be involved with.
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I was the highest-paid street performer, probably, in the history of Chicago. I was making like $800 a day.
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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I don't think you'll ever get enough picking.
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Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
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My varying pairs of legs can be quite practical or quite impractical, and I don't judge them either way. Some are for getting around a 12-hour day, pounding the pavement, and some are to feel like I can transform my own body into a workable, changing piece of art.
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Life without liberty is like a body without spirit.
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I find if my character is more glamorous, I become more conscious of what I look like.
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There is a piece of me that likes to fondly imagine my maverick and rebellious nature. But, more accurately, I like to have a nice and cosy institution that I can rub up against a little bit.
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Change can be frightening, and the temptation is often to resist it. But change almost always provides opportunities - to learn new things, to rethink tired processes, and to improve the way we work.
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As long as you're getting along, it's nice to work with someone you know well.
