Lulu Kennedy-Cairns (Lulu) Quotes
Because of the shape of my eyes, I can wear a lot of make-up. I can do a smoky look in the evening, but in the day I wear a lot less. Most women don't deal with lip pencils - they have been given a bad name, but are essential, especially as we get older.
Quotes to Explore
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Sometimes when I'm going to the supermarket to get the coffee and cat litter, I get freaked out and see all these people staring, and you turn around and there's, like, 40 people all looking at you... and when you go around the corner, they're all following you! You start freaking out like a trapped animal.
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As a black actress you've got to work doubly hard. But it doesn't ever get me to the point where I give up on myself. It just motivates me to be more prepared, focus and disciplined. That's why I care so much about doing black films and making sure that we represent and are represented correctly.
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The beauty of kids is they don't care who you are, which is why people like the Obamas like them so much - they treat them like normal people.
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First, I have to thank God for giving me the gift that he did as well as a second chance for a better life.
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We tend to talk about death as if it is losing a battle, but that assumes living is winning and dying is not.
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It isn't often that the logic behind a policy is so clear. But when it comes to the value of educating girls, the evidence speaks for itself.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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Any girl who likes watching movies would like to work in them and would want to do all of that. I'm also one of them. But people know me for badminton and love me for it. So I'd stick to it right now. But maybe after badminton, I'll think about it.
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All true happiness, pure joy, sweet bounties, and unclouded pleasure are contained within the knowledge and love of God.
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One and one is two, and two and two is four, and five will get you ten if you know how to work it.
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I love Japan, and Tokyo is my favorite city.
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We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
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Originally I had planned to revert to nuclear physics there, in particular the structure of the deuteron.
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I love singing and would love to record an album at some point.
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I love my parents. Coming out to them was sort of coming out to myself. I educated them, and I wanted our relationship to keep growing. I wanted them to be a part of my life still. I wanted to be able to share with them what I was going through.
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I learned a long time ago that fame and money is not a ticket to happiness.
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I see it every day: People trying to create a home that somebody else tells them they should have. I don't care if it's a magazine or a bossy friend - when somebody says, 'This is what's elegant, this is what's trendy,' if it doesn't represent you, you're not going to be happy.
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One of the fun things about unreliable narrators is they can be funny. You can admire things about them and laugh with them.
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The things a young woman goes through between the ages of 18 and 20 are far different than what a young woman can go through between 20 and 22.
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Women are very intelligent and not appreciated. We try to pretend that we are not clever, and it's such a pity that we can't show how clever we are.
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When I'm not longer rappin', I want to open up an ice cream parlor and call myself Scoop Dogg.
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'Come on boy, get up.'
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Because of the shape of my eyes, I can wear a lot of make-up. I can do a smoky look in the evening, but in the day I wear a lot less. Most women don't deal with lip pencils - they have been given a bad name, but are essential, especially as we get older.
