Ansel Elgort (Ansølo) Quotes
Sometimes I'll write a tweet that I'll just be like, 'Why do I have to say this to all of these people?' It's like writing a Facebook status: it's the same. I view tweeting as like writing a Facebook status. Remember when we used to write statuses?
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Capitalist production, therefore, develops technology, and the combining together of various processes into a social whole, only by sapping the original sources of all wealth - the soil and the labourer.
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The main thing I want to do is make people feel more connected and more active.
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Since I started playing at the Olympics in 2000, I have always wanted to do a dress based on Wonder Woman. It should be interesting to wear. And hopefully, it will get me a gold medal.
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If you date one woman a year, times 10 years, and that's 10 women.
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If there is anything that a man can do well, I say let him do it. Give him a chance.
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Our mission is to help founders and anyone or anything that helps founders helps us with our mission.
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I just fell into the job as a fashion editor at a teen magazine. I was there for two years, and I left there as a senior fashion editor at the age of 25.
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I still do commercial work as an actor, which I love, because it's very quick, and it definitely pays my bills.
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I had cottage cheese for lunch and a glass of wine when I got home tonight.
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When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
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I've got an idea for a modern day faerie tale that I think would made a great short novel. But I just don't have the time to work on it right now. I'm way too busy with the 'Kingkiller Chronicles' and being a new dad.
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I saw Mercury Prize-winners Alt-J for the first time recently, touring their debut album 'An Awesome Wave,' and I'm still riding the high: they're the most musically dynamic and exciting band to have poured tune into my lug holes live since Bellowhead.
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I have been interested in fashion since I was a kid. Then I lived in London, where it was more about costume and a personal statement of who you are than about fashion.
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You have succeeded in life when all you really want is only what you really need.
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Dior Couture is like art - they are the art pieces of a fashion house. Each piece is unique and made by hand.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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Winemakers have to adapt to what they're given by nature: the vines, the fruit, the soil and the weather.
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I think Teach for America has suffered from the fact that I did not teach, in a major way. I also think if I had taught, I wouldn't have started Teach for America.
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I love the story of how my parents met because it seems very 1950s Brooklyn. They met on a brownstone stoop as my father was singing a little doo-wop.
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Scripts were rather scarce in 1968. We did a lot of Amiri Baraka's plays, the agitprop stuff he was writing. It was at a time when black student organizations were active on the campuses, so we were invited to the colleges around Pittsburgh and Ohio, and even as far away as Jackson, Mississippi.
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I would encourage nonproprietary standards for tools and libraries.
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Look how men live, always precariously balanced between good and bad fortune.
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Sometimes I'll write a tweet that I'll just be like, 'Why do I have to say this to all of these people?' It's like writing a Facebook status: it's the same. I view tweeting as like writing a Facebook status. Remember when we used to write statuses?
