Ansel Elgort (Ansølo) Quotes
I'm not really too worried about what I'm gonna do next, because I just think of my career as, like, having sixty years ahead of me.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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Judge of your natural character by what you do in your dreams.
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From the pop side, people like Usher, and when they first came out, I listened to guys like K-Ci and JoJo; that '90s R&B thing really caught my ear.
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Every group has its idiosyncrasies, but at a certain point we all are human.
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I don't think any actor can be satisfied. I am still in the learning phase and hope I am always in the learning frame of mind in acting or in anything else that I do. That's what makes life interesting and worth living.
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Once you understand that listeners want to be challenged, then you also understand that you can't take shortcuts.
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The public is wonderfully tolerant. It forgives everything except genius.
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The voters of Colorado deserve honest, straight-talking elected officials.
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A moment's insight is sometimes worth a life's experience.
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I want every episode to feel like we still haven't done this right yet.
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I never have a plan of what I am going to draw.
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Acting is the work of two people - it's only possible when you have the complicity, the help, even the manipulation of a director.
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After World War I the resentment of the working class against all that it had to suffer was directed more against Morgan, Wall Street and private capital than the government.
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I'm incredibly humbled that the leader of the modern liberty movement and strong conservative leader Congressman Ron Paul is backing our campaign.
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No one needs anything; they have to want it.
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If my daughter has a bad dream and wants to get into my bed, I'm a sucker for her sweet face and warm body next to mine, so I let her jump in. I should tell her to go to bed, but secretly I love it.
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The falsification of scientific data or analysis is always a serious matter.
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The truth is that the free movement of goods, people, and money that developed under British hegemony between 1870 and 1913 - the first episode of globalization - was made possible, in large part, by military might rather than market forces.
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The idea of traveling in Africa for me is based on going by road or train or bus or whatever and crossing borders. You can't travel easily or at all through some countries.
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I never eat standing up, I never eat in front of the refrigerator. I treat myself very formally with meals. I don't watch TV or read. It's a little bit of a ritual, and it's more enjoyable.
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It's a very working-class thing, to get where you want and then not feel worthy.
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Growing up as a high jumper, I said if I could ever jump 2.40, I'd be pretty satisfied with my career. It's definitely a barrier for high jumpers.
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'Vagabond' is about owning where I come from, understanding the real power music had to transport myself with, whether that's busking in Europe or getting number ones.
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I'm not really too worried about what I'm gonna do next, because I just think of my career as, like, having sixty years ahead of me.
