Lydia Leonard Quotes
I used to love 'Jeeves And Wooster.' That theme tune was great. I remember writing to them when I was little to get the music so I could learn it on the piano, and they sent me the sheet music.
Quotes to Explore
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My whole reason for creating a network is literally to bring little pieces of light. It's to continue to spread little pieces of light in the world, to illuminate the possibility of the human spirit.
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The usual fortune of complaint is to excite contempt more than pity.
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Very often, the judgments by ordinary citizens may be better than those by professional economists, being more rooted in reality and less narrowly focused.
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I try to be as ignorant about things as I can.
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I think R. Kelly's range is so vast and broad that in order to stimulate himself creatively as an artist, he has to step so, so far outside the box, or else he feels like he's not challenging himself.
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I think a lot of playwrights have a script in their bottom drawer that hopefully no one will ever see about a bunch of young people sharing a flat and getting up to crazy stuff.
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When you love somebody, and they have a child, you love their child. You just accept it as a part of who they are, and you care about them and theirs.
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I do like being busy. I'm not the kind of person who just sits around and goes to a spa when I'm not working.
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To understand how Republicans lost the African American vote, we must first understand how we won the African American vote.
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I knew that I wanted to be an actor; how to go about it was the question. I went to Australia for my studies; from there I told my dad that I also want to do a course in performing arts, but my father refused. So I completed my studies and came back. But I kept poking him, saying that acting is something that I want to do.
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When I interview celebrities, I always try to throw them off balance. My favorite is to ask 'em about crazy sex stuff like donkey punches and Monroe transfers. Works every time.
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When people get rich, they cut themselves off from the context that has earned them these riches - the context of the common men. They forget they are part of society.
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I am happy to donate funds to various organizations that help people in need.
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I like to know that when I'm 90 years old, I'm going to be able to look at a song or poem I wrote and say, 'Wow! I remember I was so crazy about this person,' or 'I remember what that day felt like.'
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I decided to build a studio in my house. We built it in my basement kitchen. I had the drummer up by the fish tank. I was in the toilet singing. The bass player was out by the shelves in the living room, and the guitarist was on the couch by the telly.
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I'm really interested in playing my age.
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I can't even imagine life without music!
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I'm just so grateful for the 10 years that I had in Sri Lanka when it was in the middle of a war and I was getting shot at, because now and again I remember glimpses of those times, and I just go, 'Wow, I'll never, ever see that again in my life. And I'm never gonna feel that, and I'm never gonna feel for a human being like that.'
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It's unfair to think that we can do what we do with the intensity that we do it and expect injuries to not happen.
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I overcame size with mechanics.
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I'd love to do a modern-day musical that's full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.
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The real reason why people are going with digital is that it's extraordinarily mobile, and it's cheaper, and it has a great image, and you just can't beat it at night. It's pulling in variations of colors; it's pulling in lights from 40 miles away - a candle would be seen.
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When I travel, which is most of the year, I live in TripIt.
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I used to love 'Jeeves And Wooster.' That theme tune was great. I remember writing to them when I was little to get the music so I could learn it on the piano, and they sent me the sheet music.
