Lydia Millet Quotes
There is a lot of contradictions of mermaids as a symbol. I'm always interested in contradictions.
Quotes to Explore
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My type of basketball is about how to create space, how to maneuver, how to get your shot off.
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I never pile a plate to the point where it overflows. I'd rather have a small plate with small portions and then get up for more if I'm still hungry.
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My father used to play with my brother and me in the yard. Mother would come out and say, 'You're tearing up the grass'; 'We're not raising grass,' Dad would reply. 'We're raising boys.'
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I just love the hours of the theatre, I love the way it operates. I always say that when you're doing a play it's like getting a shot of B12, and when you do television for a long series you need a shot of B12.
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If you taste something, you're not at the maximum of your ability. What I think about in competition is temperature and texture. It has nothing to do with taste or emotion.
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I just want to sit in my room and write books.
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You can't always be in awe of someone's talent, living with them.
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Equality in education is my number one battle.
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I like to razz the Trekkies a little bit. Who doesn't? It's trainspotting, isn't it? But they are very well-meaning, actually. I've done a couple of Star Trek conventions, and they've only been really welcoming.
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'Mrs. Doubtfire' is still a fun movie, and it's still fun to watch, but it is hard to watch myself sometimes. I get very critical. And people will say, 'Mara, you were five.' And I'm like, 'Yeah, but I still should have known better!' I'm a lifelong perfectionist, what can I say?
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For me, with music, there is no half-stepping. This is my calling.
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Every day is Earth Day, and I vote we start investing in a secure climate future right now.
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As much as we were very proud of being a pop band, I know we never felt like we fit into that category.
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I've played Beckett. I put on in the 1950s the first Australian production of 'Waiting for Godot.' I played Estragon. The most interesting conversation I've had about Beckett was with a Dublin taxi driver.
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Kids instinctively know - although they will argue to the contrary - that they really are not mature enough to make good decisions on some important issues.
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I'm a proud filmmaker, but everyone seems to have forgotten that. You're introduced, and someone will say, 'Arrey! Karan Johar! He does talk shows! He's judge!' And now my filmmaking has been lost, all my other accomplishments forgotten.
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Truthfully, I've never seen myself as being too thin. Sometimes I'll look at photos and be like, 'Oh, that's not a good look.' But generally speaking, I'm not too thin.
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Lyrics are very important to me. I like speaking to women and saying what I mean.
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It was unfortunate for other women who might come after Margaret Thatcher that the first woman to become prime minister was a male impersonator.
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If they are, then the only ultimate truths are the particulars of concrete experience, and no postulate or general assumption is inherent in science until its proceedings become systematic, or the truths already reached give direction to further research.
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My motivation is to be creative and have fun. You want to do something that keeps you on your toes the rest of your life and keeps you busy.
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I'm a songwriter, an artist, and a musician. I do not have to try to be that; I just am.
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Songs give you incredible opportunity to convey a tremendous amount in a relatively short period of time. The first thing that John Powell, our composer, says is, "Is the song engaging you to tap your toe?" If you're not tapping your toe, it doesn't matter what you're doing in the song, it's not going to work. But, if you can get the audience to be engaged by the song, then it gives you the opportunity to accomplish so much, in a very concise way.
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There is a lot of contradictions of mermaids as a symbol. I'm always interested in contradictions.
