Lydia Millet Quotes
There is a lot of contradictions of mermaids as a symbol. I'm always interested in contradictions.
Quotes to Explore
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My type of basketball is about how to create space, how to maneuver, how to get your shot off.
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I never pile a plate to the point where it overflows. I'd rather have a small plate with small portions and then get up for more if I'm still hungry.
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My father used to play with my brother and me in the yard. Mother would come out and say, 'You're tearing up the grass'; 'We're not raising grass,' Dad would reply. 'We're raising boys.'
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I just love the hours of the theatre, I love the way it operates. I always say that when you're doing a play it's like getting a shot of B12, and when you do television for a long series you need a shot of B12.
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I just want to sit in my room and write books.
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You can't always be in awe of someone's talent, living with them.
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Equality in education is my number one battle.
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For me, with music, there is no half-stepping. This is my calling.
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Every day is Earth Day, and I vote we start investing in a secure climate future right now.
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As much as we were very proud of being a pop band, I know we never felt like we fit into that category.
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I've played Beckett. I put on in the 1950s the first Australian production of 'Waiting for Godot.' I played Estragon. The most interesting conversation I've had about Beckett was with a Dublin taxi driver.
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Kids instinctively know - although they will argue to the contrary - that they really are not mature enough to make good decisions on some important issues.
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Truthfully, I've never seen myself as being too thin. Sometimes I'll look at photos and be like, 'Oh, that's not a good look.' But generally speaking, I'm not too thin.
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Lyrics are very important to me. I like speaking to women and saying what I mean.
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I did kindergarten twice because I was so shy.
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I want my kids to know that what I do is work. It's fun, it's a great job, but it's work.
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The writer must earn money in order to be able to live and to write, but he must by no means live and write for the purpose of making money.
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Our whole philosophy is one of transparency.
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Metaphor... is, as a common feature of linguistic practice, an incidental expediency, a homely administering of first-aid by mother-wit to jams or halts in expression suddenly confronting speakers, with no respectable linguistic solution immediately in sight.
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We sort of expect to see men in women's clothes. It's part of our culture. The key thing is, it has to be done quite badly.
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I always look for the character that gets into your guts and tells you, 'You have to play this.' You have to be brave enough to let everything else go and let the character guide you. When I read a script, I look for that kind of pull.
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Print is not dead.
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There is a lot of contradictions of mermaids as a symbol. I'm always interested in contradictions.
