Charles Dickens Quotes
Quotes to Explore
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It is one thing to be eloquent and charming in profane speech, and another when the one speaking as a religious.
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I do find my speech difficult at times, but it's getting so much better as my confidence grows and that's thanks to the position I'm now in, which is totally due to my fans.
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I've been working hard: lots of therapy, speech therapy, physical therapy, yoga too.
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Speech and having a stammer is obviously a big part of my life.
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Home is the nicest word there is.
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Speech is the twin of my vision, it is unequal to measure itself, it provokes me forever, it says sarcastically, Walt you contain enough, why don't you let it out then?
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More than 200,000 kids have had their lives transformed by ARK. I use that word properly.
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My favorite word was a word James Lapine used repeatedly in 'Sunday in the Park with George,' which was the word 'connect.' All I want to do is connect.
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Tears at times have the weight of speech.
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Storytelling is as old as speech. It existed before humans first began to carve shapes in stones and press their hands upon the rocky walls of caves.
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One way of looking at speech is to say it is a constant stratagem to cover nakedness.
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Avoid sarcasm. Don't insist on the last word.
Ford Frick
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'Feminism' is such an incredibly awkward word for us these days, isn't it? Not to be feminist would be bizarre, wouldn't it?
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I love to draw and paint. I'm very active in that way, but I'm not very good with the written word, though.
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Knowledge is a polite word for dead but not buried imagination.
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I have expressed my opinion through the written word through my books, that is all.
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A master of improvised speech and improvised policies.
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Word of mouth travels faster than anything else.
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The calling of the humanities is to make us truly human in the best sense of the word.
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What view is one likely to take of the state of a person's mind when his speech is wild and incoherent and knows no constraint?
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We all bear scars,... Mine just happen to be more visible than most.
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What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.
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A word in earnest is as good as a speech.
