Charles Dickens Quotes
The young woman who brought me acquainted with Captain Murderer had a fiendish enjoyment of my terrors, and used to begin, I remember - as a sort of introductory overture - by clawing the air with both hands, and uttering a long low hollow groan. So acutely did I suffer from this ceremony in combination with this infernal Captain, that I sometimes used to plead I thought I was hardly strong enough and old enough to hear the story again just yet.
Quotes to Explore
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Always remember that the most important thing in a good marriage is not happiness, but stability.
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Remember who you are and where you come from; otherwise, you don't know where you are going.
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I wanted to be an author for as long as I can remember.
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Remember that the most valuable antiques are dear old friends.
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I've gotten this advice at different times, and it distills down to one word: purpose. Why are you here? When you start to get distracted by thoughts such as 'Do I fit in? Does this person like me?' - remember why you're there and what you want to accomplish.
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We want a story that starts out with an earthquake and works its way up to a climax.
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It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
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I read books. Remember those? I read them, on paper.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Surround yourself with people who provide you with support and love and remember to give back as much as you can in return.
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I watched 'Evil Dead' when I was 12. I was going through all the horror I could grab. I remember going to the video store and asking for something 'real.' And the guy gave me the 'Evil Dead' VHS. When you're 12, you're not supposed to see that.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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I was very young during 'Chachi 420' and don't remember much now.
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I remember we would get young, aspiring actors to come on '77 Sunset Strip' - I remember George Kennedy was one of those - and they would do a big guest star part, a lead, and they'd be paid maybe $850.
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My books are character-driven. They're not driven by the story.
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Let us remember: One book, one pen, one child, and one teacher can change the world.
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Just remember, once you're over the hill you begin to pick up speed.
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I've put myself in the best possible positions through my daily training and my recovery processes and my offseason regimen and preparation. I break down when I have these freak injuries happen, when the hard work is basically thrown out.
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They go forth [into the world] with well-developed bodies, fairly developed minds and undeveloped hearts. An undeveloped heart - not a cold one. The difference is important.
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People assume that because I'm a great athlete, I can dance. But no. My rhythm is off a little bit.
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I was never into the Bluegrass, Bill Monroe and stuff like that.
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The young woman who brought me acquainted with Captain Murderer had a fiendish enjoyment of my terrors, and used to begin, I remember - as a sort of introductory overture - by clawing the air with both hands, and uttering a long low hollow groan. So acutely did I suffer from this ceremony in combination with this infernal Captain, that I sometimes used to plead I thought I was hardly strong enough and old enough to hear the story again just yet.
