Charles Dickens Quotes
The young woman who brought me acquainted with Captain Murderer had a fiendish enjoyment of my terrors, and used to begin, I remember - as a sort of introductory overture - by clawing the air with both hands, and uttering a long low hollow groan. So acutely did I suffer from this ceremony in combination with this infernal Captain, that I sometimes used to plead I thought I was hardly strong enough and old enough to hear the story again just yet.
Quotes to Explore
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Always remember that the most important thing in a good marriage is not happiness, but stability.
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Remember who you are and where you come from; otherwise, you don't know where you are going.
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I wanted to be an author for as long as I can remember.
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Remember that the most valuable antiques are dear old friends.
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I've gotten this advice at different times, and it distills down to one word: purpose. Why are you here? When you start to get distracted by thoughts such as 'Do I fit in? Does this person like me?' - remember why you're there and what you want to accomplish.
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We want a story that starts out with an earthquake and works its way up to a climax.
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It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
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I read books. Remember those? I read them, on paper.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Surround yourself with people who provide you with support and love and remember to give back as much as you can in return.
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I watched 'Evil Dead' when I was 12. I was going through all the horror I could grab. I remember going to the video store and asking for something 'real.' And the guy gave me the 'Evil Dead' VHS. When you're 12, you're not supposed to see that.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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I was very young during 'Chachi 420' and don't remember much now.
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I remember we would get young, aspiring actors to come on '77 Sunset Strip' - I remember George Kennedy was one of those - and they would do a big guest star part, a lead, and they'd be paid maybe $850.
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My books are character-driven. They're not driven by the story.
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London 2012 was the toughest time in our relationship but also the best. Things could get fractious - we were both competing for gold - but standing next to my brother on the start line for a home Olympics was so special. I remember saying: 'Let's go.'
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In every particular state of the world, those nations which are strongest tend to prevail over the others; and in certain marked peculiarities the strongest tend to be the best.
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I'm not a Method actor - ask anybody.
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What's near and dear to my heart is cooperative conservation.
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There are a couple of things that we did not get to do last season of Mary and Jane. There was one that we had written and then we had to excise it and still have not gone back to it.
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The young woman who brought me acquainted with Captain Murderer had a fiendish enjoyment of my terrors, and used to begin, I remember - as a sort of introductory overture - by clawing the air with both hands, and uttering a long low hollow groan. So acutely did I suffer from this ceremony in combination with this infernal Captain, that I sometimes used to plead I thought I was hardly strong enough and old enough to hear the story again just yet.
