Anthony Charles Edwards Quotes
Why is there such vanity about hair? I make a point to bathe. I worry about boogers in my nose, and I ask the makeup artist to cover up my pimples, but beyond that, I try not to be too vain.
Quotes to Explore
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Every child needs to have for itself not only its loving parents and siblings and friends of its own age, but a grown-up friend.
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When life knocks you down, keep getting up.
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I ended up in the US for a month or so, before moving to Montreal with some Romanian friends.
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
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Well what I will tell you is for this movie, I got into probably the best shape of my life.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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If you feel like snacking, stock up on almonds, walnuts and cranberries.
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On Earth, men and women are taking the same risks. Why shouldn't we be taking the same risks in space?
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Every four weeks I go up a bra size... it's worth being pregnant just for the breasts.
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I believe life is an 'experience ball.' You throw it at someone, it picks up their response... it grows. You play with that ball, learning what it teaches you.
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What I observed about my fellow actors was that most gave up very easily.
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When I was a little girl, I used to walk around with a towel on my head, pretending I was a nun. And then one day my mother said, 'Why don't you just become an actress, and then you can pretend you're a nun.'
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President Trump will release America's pent-up energy potential, get rid of foreign oil, trash punitive regulations, create millions of jobs, and develop our most strategic geopolitical weapon: crude oil.
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My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
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I am not a political writer. I agree with Stieg Larsson and Henning Mankell, who are social writers. I can't write in that fashion. I am not good enough for that. What I am interested in is family dramas and why we are doing bad things to each other and what our motives are.
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My first encounter with Marx's writings came very early in life, as a result of the strange times I grew up in, with Greece exiting the nightmare of the neofascist dictatorship of 1967-74.
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I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
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I will stand up for a girl who is being harassed or bullied for choosing to wear revealing clothes. I will stand up for that!
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When I was working a lot, I felt guilty as a parent. I couldn't pick up my son every day from school, bake him cookies and that kind of thing.
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The words we use have weight. Whether it's in a conversation with a friend or something said publicly on stage or broadcast. And as performers, we know that because that's why we choose the words we use - that's the whole point of comedy.
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I'm not like a performer type.
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I find writing extraordinarily difficult and not very pleasurable, though I find having done it very pleasurable. I won't lie about that.
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I'm very influenced by the circus. A lot of the dreams that I have, I'm in the circus.
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Why is there such vanity about hair? I make a point to bathe. I worry about boogers in my nose, and I ask the makeup artist to cover up my pimples, but beyond that, I try not to be too vain.
