Anthony Kiedis Quotes
Quotes to Explore
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I won't allow myself to have tremendous fear.
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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I believe in growth - in myself and in the characters I create.
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When you're a producer and an artist you're very critical of yourself. I like to produce other people, but I'm not that good at producing myself.
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Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.
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I chose to present myself as one who comes from among the people, and I can be touched by their pain because I have my own.
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Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
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Even if a university should turn out to be another version of a school, I had decided I could lose myself afterwards as an anonymous particle of the London I already loved.
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I second-guess myself all the time. I make a decision and then wonder if I made the wrong choice.
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I'm guilty of it myself, sort of thinking, 'Classic novels: snoozeville.' But there is a huge amount of wonderful material.
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To praise it would amount to praising myself. For the entire content of the work... coincides almost exactly with my own meditations which have occupied my mind for the past thirty or thirty-five years.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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I pride myself on not being run of the mill. I don't want to be your umpteenth Fantine in 'Les Miz.'
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Every story I create, creates me. I write to create myself.
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I base myself in African-derived music. Blues is one of the modern forms of African music.
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I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
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I look at myself as an audience member. I still love movies, and I still go and sit in the back of the big dark room with everybody else, and I want the same thrill.
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I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
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I love men who make me laugh.
Nastassja Kinski -
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
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Being a woman in country is really empowering. It's a genre where you can truly say whatever you want to say as long as you're 100% behind your message and who you are.
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If you go to Norway, Finland, Russia or Australia, you'll see Xerox or Fuji-Xerox people, not just the name on the door. We have human beings who live and work and serve customers everywhere around the globe.
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I have to laugh at myself.
